Archive for the ‘Post by nahm’ Category
This article is written by Nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6351 | Post No. : | 19685 |
The last “Sarfaroshi ki tamanna” posted in the blog is this. That’s the ARR composition of the famous ghazal by Bismil Azimabadi.
ARR has one more composition of the same ghazal yet to be posted in the blog. I am planning to post that also in due time.
I know I have said this before too, that the relevance of Urdu poetry is a growing force, in our world. It is taken to one level by the connoisseurs, who treat it with reverence. And it has the vivacity to make a commoner want to reach out and learn the nuances of Urdu. People who have no connection or inclination towards classical poetry of any genre or language, are known to have “Takiya kalam” in Urdu. It is not just the poetry that has survived the test of time, it is the idioms and phrases, rooted in the culture of the society, the gunga-jamuni Tehzeeb and the ‘Mu’atabar” sounds, which made Gulzar say:
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This article is written by Nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6350 | Post No. : | 19682 |
Some years ago, I did start to write post of some colourful songs, shot outdoors. There are so many of them in hindi films, especially in colour movies, that they are countless. I have a weakness for scenic waterfalls, mountains, lakes, snow peaks, rivers, huge trees etc.
Today, I have dropped two posts in preparation, as I realized belatedly that they are posted. One had Dharmendra and other had Vinod Mehra, incidentally, singing Rafi solos, in Kashmir.
In my posts of the song “Jiya Jiya Re” (Jab Tak hai Jaan) I have mentioned that there must be reels and reels of footage shot of mountains, rivers of naturally beautiful locations in Kashmir, which were not used. For photographers would not be able to resist. In fact in one of the songs mentioned above, they had used shot visuals in the song, without the actors actually going there and shooting for the song. The shots looked like amalgamated with the actors singing in greenery.
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This article is written by Nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6349 | Post No. : | 19679 | Movie Count : |
5160 |
This movie’s story takes place on a cruise ship. Cruise ship travel is still out of affordability area for the common people in India. I do not know anyone who does this type of travel or holidays. The way of life involving Yachts, Marinas and Cruise ships is very foreign to India. I saw one cruise ship in Liverpool. I saw some people who were from that ship roaming around the harbour area, with the Beatles museum, and the eateries, a very ordinary boat ride around the inner harbour/backwaters. They stood out as they were not casual tourists. At least I thought so, as I pride myself on my powers of observation and differentiation.
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This article is written by Nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6348 | Post No. : | 19674 |
A R Rahman – The Musician of 21st Century – 8
The film “Dil Se” released in 1998, and by this time A. R. Rehman, has revolutionized the Hindi film music. With the south Indian flavour to his compositions, with various talented singers from the region were flooding the hindi film music world. Mostly his films would be originally made in Tamil, Telegu or Malayalam, and later remade in hindi or sometimes just dubbed in hindi.
His music and rerecording the songs in hindi required, rewriting the lyrics in hindi/urdu to mean and sound the same in hindi films. It was a difficult task for lyricists like Mehboob and later on Gulzar to retain the meaning and spirit of the earlier songs, while converting them for the larger hindi film audience.
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This article is written by Nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6346 | Post No. : | 19668 |
Film “Dil hai ke manta nahi”(1991) was another one of Mahesh Bhat movies, made like a “Chitrahaar”, with ten songs, including one double version song. From what I see in the trivia about this film, it is about adaptations galore. The story is adapted from American film “It happened one night”(1934), which is a tradition of sorts with hindi film right from early 50’s.
A few other Hindi films were also inspired by the same film – “Nadan” (1951), “Chori Chori” (1956), “Nau Do Gyarah” (1957), “Solva Saal”(1958) and “Basant” (1960). Similar plots were used in other Indian films as well – “Chaowa Pawa” (1959) in Bengali, “Chandhrodhayam”(1966) and “Kadhal Rojave” (2000) in Tamil, and “Hudugaata” (2007) in Kannada.
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Saathhiyaa hmmm Saathhiyaa hmmm
Posted on: December 1, 2025
This article is written by Nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6345 | Post No. : | 19663 |
A R Rahman – The Musician of 21st Century – 7
The revival of the series on A. R. Rehman is beginning with this post. The last post in the series was this song.
I apologise for my tardiness in leaving the series like this for 2.5 years. None but myself to be blamed for not taking the targets/tasks seriously. Maybe that is the reason none of my series appear in the list of series posted in the blog.
Koyi nai, I plough on doggedly. Not that it is a hard task to find ARR gems, sometimes forgotten in decades old fog. Take the songs of “Saathiya” for instance.
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This article is written by Nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6341 | Post No. : | 19648 |
Rest in Peace – Dharmendra (8/12/1937 – 24/11/2025)
During last week I have written posts of two Dharmendra -Hema Malini songs, and as I said, youtube was throwing up more such songs at me. I have saved many songs now featuring Dharmendra. Some of these are outdoor songs, showing refreshing locations, like riverside, mountains, trees etc.
Dharmendra has left this mortal world, where everything is mortal. We can hope that some memories will remain immortal till this “faani” intelligent humanity’s existence. So “Lafaani” is nothing. Dharmendra himself was among many things, an urdudaan, and wrote shayari in urdu. During his heydays as a star, he appeared shy of media. Only lately he has been giving some interviews and appearing on TV shows. That is when the real personality has come to light.
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Raja na jaa dil tod ke
Posted on: November 15, 2025
This article is written by Nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6329 | Post No. : | 19602 |
This is a role reversal to “Abhi na jaao chhod ke, ke dil abhi bhara Nahin”. Here Hema Malini is trying to stop Dharmendra from going to his job. She is calling him ‘Raja” and asking him not to leave her alone, take leave from work, or better to leave the job if he is not getting holiday. The filmy or flimsy situation, Lata Mangeshkar’s playback, Hema Malini looking resplendent in a red jacket/suit, begging. Dharmendra on his part is just trying to get away on whatever transport he can find and enjoying all the attention. All that bhav is good for the hero anyway. Songs like “haay haay yeh majboori”, “Na ja mere hamdam”, “bataa doon kya laana” and others convey the similar emotion in different ways.
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