Archive for the ‘Songs of 1960s (1961 to 1970)’ Category
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“Ek Ladki Saat Ladke”(1961) was directed by Roop K Shorey for Filmistan, Bombay. This obscure movie had Amita, Ravindra Kapoor, Durga Khote, Badri Prasad, Majnoo etc in it.
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“Jigri Dost”(1969) was directed by Ravi Nagaaich for Vijaylaxmi Pictures. The movie had Jeetendra, Mumtaz, Basant, K. N. Singh, Komal, Agha, Nirupa Roy, Aruna Irani, Jagdeep, Prem Kumar etc in it.
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Ajnabi duniya mein
Posted on: March 28, 2017
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“Ajnabi”(1966), an obscure movie, unlike its namesake of 1970s starring Rajesh Khanna, was directed by Hari Khanna for Northern India Pictures, Bombay. The movie had Chandrashekhar, Zeb Rehman, Iftekhar, Ratna, Mohan Choti, Niranjan Sharma, Tuntun etc in this movie.
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Ae deen dayaal daya do hamen
Posted on: March 24, 2017
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“Faraar”(1965), not to be confused with “Faraar”(1955) or “Faraar”(1975), was directed by Pinaki Mukherji for Geetanjali Pictures, Bombay. The movie had Anil Chatterji, Shabnam, Balraj Sahni, Leela Chitnis, Helen, K N Singh, Anwar, Tarun Bose, Asit Baran, Maruti etc in it.
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“Apna Bana Ke Dekho” (1962) was directed by Jagdish Nirula for Chitra Sangam Studios. The movie had Manoj Kumar, Asha Parekh, Sajjan, Sunder, Nazir Hussain, Mohan Choti, Achala Sachdev etc in it.
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“Grihasthi”(1963) was directed by Kishore Sahu for Gemini Chitra,Madras. The movie had Ashok Kumar, Manoj Kumar, Nitrupa Roy, Rajshree, Indrani Mukherji, Sudesh Kumar, Lalita Pawar, Bipin Gupta, Jageerdaar, Ifthikhar, Kanhaiyalal, Niranjan Sharma, Achla Sachdev, Pushpavalli, Bhatri Malvankar, Mehmood, Shubha Khote etc in it.
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Mohe laa de chunariya laal
Posted on: March 19, 2017
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“Chaandi Ki Deewaar”(1964) was a Gee Aar Pictures production. It was directed by Dilip Bose. The movie had Bharat Bhushan, Nutan, Indrani Mukherjee, Honey Irani, Sudhir, Naaz, Asit Sen, Pratima Devi, Misra etc in it.
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Dil ki lagi ko chhupaaun kaise
Posted on: March 17, 2017
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The movie had six songs in it. Four songs from the movie have been discussed in the past.
In Hindi movies, the leading lady would sing “romantic” songs only for the benefit of the leading man. But sometimes she would sing such songs for the villain as well, though here her intention would be to outwit him rather than romance him.
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