Archive for the ‘expression of love’ Category
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
THE VELVET MAGIC- TALAT DUETS ….Song No. 7
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This is a duet from the film Gharbar-53 and it is sung by Talat and Asha Bhonsle.
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Nigaahon Se Jab Teer Tu Ne Nikaala
Posted on: June 8, 2015
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Duniya Ye Duniya, Toofaan Mail” – the iconic song from the 1942 film ‘Jawaab’, which introduced the name Kanan Devi to the film audiences countrywide, outside of Bengal. This song came from the pen of lyricist / story writer / dialogue writer Budhichandra Agarwal, better known to the music lovers as Pt Madhur. Incidentally, ‘Jawaab’ was the debut film for him.
Remembering Pt Madhur on the anniversary of his passing away today (8th June).
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Awaaz Hai Ye Pyaar Ki
Posted on: June 5, 2015
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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The Voice of Mukesh #68
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The phase of Mukesh’s career in the years from 1954 to 1957 makes a very ineffectual reading. In these four years, the number of songs sung by him in each year did not even touch the double digit numbers. After recording 10 film songs in 1953, the numbers for subsequent years are – 6 for 1954, 9 for 1955, 7 for 1956 and 5 for 1957. It was only in 1958 that these numbers pulled themselves back into double digits – he recorded 13 songs in 1958. But all said and done, the equations had changed, by the time 1950s came to a close.
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Zara mudke to dekho saajna
Posted on: June 1, 2015
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
THE VELVET MAGIC- TALAT DUETS ….song no. 3
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Today’s song is from film Meenar-54. It is a duet of Lata and Talat.
BOMBAY has always been an attraction for outsiders. It is a Dream-City for most people coming from other states. Not every one’s dreams are realised,but it does provide opportunities. Then it is your luck and efforts, which will either make you or break you. This is not only about Film line but people from all walks of like look at Bombay this way.It started from the 17th Century when Bombay was just a cluster of undeveloped islands. In the 18th and 19th century Bombay developed into a Metropolitan city, having a majority of people from outside. Bombay Gazette of 1885 says that , out of a total population of 10 lakhs, almost 9 lakhs were outsiders, i.e, Non-Natives. A Minority of Britishers ruled the majority for a long time.
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Main ik chhoti si chingaari
Posted on: May 31, 2015
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Laadli”(1949) was directed by J P Advani. The movie had Jairaj, Sulochana Chatterjee, Randhir, Ramesh Sinha, Kuldip Kaur etc. in it.
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Tumse ho gaya pyaar
Posted on: May 29, 2015
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
THE VELVET MAGIC- TALAT DUETS….Song No. 2
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Today’s song is a duet of Talat and Lata, from the film ‘Meharbani-50’. The film makes a debut on the Blog with this song.
The Music Director of this film was HAFIZ KHAN. Now, this name is a case of “Same Name Confusion” with many people. There were Two composers of the same name, active in the same time period. There was one Hafiz Khan singer, who was given the nick name of Mastana by his senior Meer Sahib. Hafiz Khan Mastana was essentially a singer. He sang in Hindi films from 1938 to 1959 in over 100 films singing about 200 songs, according to one source. He also gave music to 24 Hindi films, from 1940 to 1952. He also acted in 5 films.
The Music Director Hafiz Khan of today’s song, was a trained expert Sarangiya (Sarangi Player) from Lahore. His first film as a composer was Zeenat-1945. The other composers with him here were Meer Sahib and Rafiq Gaznavi. This film’s music became famous because of the First ever All female qawali “Aahen na bhari,shikwe na kiye” in it. Hafiz Khan had also composed 4 melodious songs in this film. He gave music to Zeenat-45, Humjoli-46, Meharbani-50, Lakeeren-54, Mera salaam-57 and his last film Shareef Daku-60.
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Man ki baat jab hothon pe aane ko ho
Posted on: May 27, 2015
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Basics of Music- Part III (Raag and Thhaat)
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In part I, we introduced swars and mentioned that combination of swars constitutes melody. In part II, we introduced the concept of Rhythm (taal) and mentioned that it is the combination of melody and rhythm that makes music what it is today.
Each of the two parts were quite heavy duty stuff for people not exposed to such stuff earlier. I got some comments on part I, but hardly any for the second part, which may mean that these concepts may have been going above the heads of readers. Nevertheless, these concepts are vital and they needed to be introduced. Here is the third part of the discussion on basics of music.
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This article is written by Shekhar Gupta, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
There are only a handful of Bollywood numbers from movies made after mid-1960s that I really long to hear. Lest I may be misunderstood, this is a statement of personal preference by this music-illiterate, not necessarily an adverse commentary on the later years’ work.
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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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