Archive for the ‘Feelings of heart’ Category
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
6458 | Post No. : | 20055 | Movie Count : |
5197 |
Hullo Atuldom
Syed Emraan Anwar Hashmi (known simply as Emraan Hashmi in the entertainment industry) was born in Mumbai to Anwar Hashmi who was essentially a businessman who had acted in “Baharon Ki Manzil” (1969) as the character that Farida Jalal’s character is supposed to marry (found this bit of information on the internet). Emraan Hashmi’s paternal grandmother was the yesteryear actress Meherbhano Mohammad Ali who was popular as Purnima, whose last released film came in the late 1990s. Purnima’s father (a Tamil Brahmin), was supposed to have been an accountant in the office of film distributor Kikubhai Dessai. Emraan Hashmi’s grand aunt was the mother of filmmakers Mahesh Bhatt & Mukesh Bhatt.
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This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
6458 | Post No. : | 20053 |
“Aadmi”(1957) was produced by Kumar Anand and directed by Navneet Rai for Pictures Parade, Bombay. The movie had Nasir Khan, Begam Para, Kamran, Uma Dutt, Heera Sawant, Kammo etc in it. Three comedians Bhudo Advani, Shaikh and Yaqub were also there in the movieas guest artists.
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O pardesee bhool na jaana
Posted on: March 24, 2026
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
6458 | Post No. : | 20052 |
“Dhanwaan”(1946) was directed by V M Vyas for Sunrise Pictures, Bombay. The movie had Jairaj, Paro Devi, Anjana, Dulari, Bhagwandas, Amir Bano, Natwar Lal etc in it.
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Chain tumse qaraar tumse hai
Posted on: March 22, 2026
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
6456 | Post No. : | 20045 |
“Panihaari”(1946) was directed by Gunjal for Asiatic Pictures, Bombay. This obscure movie had Shanta Apte, Surendra, Yakoob, Gulab, Leela Mishra, Anita Sharma, Ameer Banu, Zubeda, Kanhaiyalal, Bikram kapoor, Munshi Khanjar etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
6455 | Post No. : | 20044 |
“Saugandh”(1961) was directed by G K Ramu for Hariharan Films, Madras. The movie had Anjali Devi, Gemini Ganeshan, M. N. Nambiar, P. S. Veerappa, M. N. Rajam, Kamala Laxman, M. Saroja, P. S. Venkatachalam etc in it. From the cast, it looks like a South Indian movie that was dubbed in Hindi and its original songs were translated and recorded in Hindi with Hindi movie playback singers.
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Duniya nayee basaayen saajan
Posted on: March 20, 2026
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
6454 | Post No. : | 20039 |
“Ujaala” (1942) was produced by M Ehsan (though M A Mughani was credited as producer) and directed by K M Multani for Taj Mahal Pictures, Bombay. The movie had Prithviraj Kapoor, Naseem Bano, Mubarak, Ratan Bai, Mirza Musharaf, Baby Vinod Kumari, Jilani etc in it.
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This article is written by Satyajit Rajurkar, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
6453 | Post No. : | 20037 |
“Kisi Ki Nazar Ne Ishara Kiya Hai” is a soft, melodic beauty sung by Lata Mangeshkar, penned by Anand Bakshi and composed by Laxmikant Pyarelal. The song is from a mystery/suspense genre movie “Sau Saal Baad” released in 1966.
The film is produced under the banner of Mansarover Pictures, Bombay and is directed by BK Dubey. The film is supposedly a tale of rebirth and memories of soul, presented as a ghost/apparition story. The cast of actors includes Feroze Khan, Kum Kum, Achla Sachdev, Manmohan Krishan, Rajendranath, DK Sapru, Ram Singh, P Kailash, Madhavi, Polson, Ravikant, Patanjali, On Mehra, Moolchand Kapoor and Rajan etc.
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Kisee ka koi naheen jag mein
Posted on: March 19, 2026
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
6453 | Post No. : | 20036 |
Today’s song is from a social film – Khan Bahadur-1937.
The year 1937 was a year of Revolution for the newly started Talkie Film. Initially the films were mainly based on Folk tales, Parsi dramas and Mythological stories. 1937 was a year in which the Film industry was trying to drop its old skin and don a New Avtar. From this year, a variety of subjects were used to make films. If we briefly look at some path breaking, landmark films using Novel themes, we will understand how the film industry was attempting to change itself.
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This article is written by Satyajit Rajurkar, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
6452 | Post No. : | 20034 |
Kamsune/Unsune songs of Asha Bhosle – 96
“Humein Toh Aaj Isi Baat Par” by Asha Bhosle is from the 1977 movie “Taxi Taxie”. The song is written by Majrooh Sultanpuri and it is composed by Hemant Bhosle.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
6452 | Post No. : | 20030 |
Today’s song is from a social film Azad-1940.
The film was made by Bombay Talkies. Bombay Talkies was one of the premiere production companies of India in those times. Its films became very popular and the music was lapped up by the audience. There were other equally famous production houses like Prabhat Films,Ranjit studios and New Theatres of Calcutta, all churning out blockbusters. While Ranjit showed how to make money, Bombay Talkies added prestige to films.
Language in Hindi films was a great issue in those times and it is here that Bombay Talkies won hands down ! Prabhat films had its Hindi totally influenced by Marathi ( and hence was popular in western India), and New Theatres films had their Hindi straight lifted from books of Hindi Prachar Sabha- too pure ! It was only Bombay Talkies films which used the colloquial language of India- easily understood by the masses and acceptable to all classes equally. While Prabhat called it “Preet” , and New Theatres said ” Prem”, Bombay Talkies used the words like ” Pyar” and “Muhabbat” – a mix of Urdu and Hindi ( called Hindustani). Prabhat dialogues were too formal, while New Theatres’ were highly literary and Bombay Talkies used day to day language understood easily over the length and breadth of India.
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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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