Archive for the ‘Guest posts’ Category
Moti ho to baandh ke rakh doon
Posted on: August 29, 2021
- In: "Get together" song | Devnagri script lyrics by Avinash Scrapwala | expression of love | Feelings of heart | Guest posts | Kishore Kumar solo | Kishore Kumar songs | Lyrics contributed by readers | Party song | Post by Avinash Scrapwala | Songs of 1980s (1981 to 1990) | Songs of 1981 | Yearwise breakup of songs
- 4 Comments
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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4790 | Post No. : | 16547 |
Pancham’s Music – Eighties (1981-1990) -1 (1981)
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We are back to ‘Pancham’s musical world’ again, or rather let me take you there once again 😊!
Regulars on the blog are well aware that I have been looking for movies that made their debut in the initial months of the blog and later got neglected so much so that, they had to wait for their second song on the blog for more than ten to twelve years.
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Morey man mitwaa
Posted on: August 27, 2021
- In: Duet | expression of love | Feelings of heart | Guest posts | Mukesh songs | Mukesh- Suman Kalyanpur duet | Post by Mahesh Mamadapur | Song from regional movies | Songs of 1960s (1961 to 1970) | Songs of 1965 | Suman Kalyanpur songs | Theme song | Title song | Yearwise breakup of songs
- 4 Comments
This article is written by Mahesh Mamadapur, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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4788 | Post No. : | 16545 |
Mukesh and his Composers – 22
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We pay tributes to legendary singer Mukesh on his Remembrance Day today (22 July 1923 – 27 August 1976). His voice, songs, and the rich legacy left behind continues to be remembered and cherished by fans across the globe.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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4788 | Post No. : | 16544 | Movie Count : |
4564 |
Today’s song is from the film Pratigya-1943.
In HFGK the name of the film in Hindi is correct-” प्रतिज्ञा”, but in English it is written as ” Pratigya “. I do not understand why it could not be written correctly as ” प्रतिज्ञा “. Even film Sant Gyaneshwar-1940 had the same problem. In Hindi it is written correctly, but in English it is Gyaneshwar. Some English language scholars must solve this puzzle. My guess is, because in colloquial Hindi language ज्ञ is pronounced as ग्य . Like ग्यान for ज्ञान . HFGK must have opted for this spelling. It is funny – in Hindi it is written correctly, but in English, this way. If it was the other way round, I could have understood, since colloquial Hindi is Gya. I can’t somehow digest this awatar of English words !
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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4787 | Post No. : | 16543 |
‘Ghunghroo’ (1952) was produced under the banner of Filmkar, owned by Rajendra Jain which had produced ‘Deedar’ (1951) and later, ‘Maan’ (1954). The film was directed by Hiren Bose. The star cast included Om Prakash, Sumitra Devi, Kuldeep Kaur, K N Singh, Murad, Badri Prasad etc. A feature of the film’s casting was that Om Prakash was the lead actor in a double role – one as a shy man and the other in a role of a lead actor in a theatre.
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Aaj bas mein nahin dil mera
Posted on: August 24, 2021
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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4785 | Post No. : | 16541 | Movie Count : |
4562 |
The history of Hindi film songs indicates that, by and large, singers who have been formally trained (gandabandha disciples) as Hindustani classical/semi-classical vocalists had the marginal presence in the Hindi films as playback singers. They mainly concentrated on their career as public or private concert singers. Some of them like Mukhtar Begam, Begam Akhtar, Indubala, Angoorbala, Kamala Jharia etc who were actor-singer during the early phase of the sound films, later concentrated on their career as vocalists in Hindustani classical and semi-classical genres.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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4784 | Post No. : | 16539 |
Today’s song is from the film Prarthana-1943. The film was made by Minerva Movietone. The music was composed by Saraswati Devi. After a vertical rift between a disgruntled group led by S. Mukherjee in Bombay Talkies, the group left Bombay talkies and established their own Filmistan studio. Many people went with them. Some remained with Devika Rani. Saraswati devi also left Bombay Talkies but became a Free-Lance, without joining any group. The cast of the film was Sabita Devi, Motilal, Jahanara Kajjan, Nimbalkar, Menaka, K.N.Singh and many others.
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Mujhe neend aa gayi thhi
Posted on: August 22, 2021
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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4783 | Post No. : | 16538 |
#The Decade of Seventies – 1971 – 1980 #
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# Bhoole-Bisre Geet # 150 # Year -1971#
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We are celebrating ‘fifty years’ of the year ‘1971’, and discussing the movies released during that year and their songs.
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Aashiq ho to aisa ho
Posted on: August 21, 2021
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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4782 | Post No. : | 16537 |
Hullo Atuldom
The song with this post was suitable for 19th August. 19th was the remembrance day of Khayyam the music composer who began his journey in Bollywood in 1947, when he sang a song with Zohrabai Ambalewali. His first as a music director was in 1948 as ‘Sharmaji’ of the ‘Sharmaji-Varmaji’ composer Duo. The statistics page of the blog says that Khayyam saab has given music to 377 songs in 42 movies. That may seem too little when compared with music directors who were active during that period; but each song of his were ‘pure pleasure on the ears’. Songs like ‘shaam-e-gham ki kasam’ (1953) or ‘tum apna ranj-o-gham’ (1964) are still popular as also the hits from the ’70s and ’80s: ‘aa jaa re, aa jaa re o mere dilbar aa jaa’, ‘kabhi kabhi mere dil mein khayal aata hai’, ‘dikhayi diye yun ke bekhud kiya’, and many more that I grew up listening to, of course at that age only the songs used to play in my head, I never knew details about singer, composer, lyricist etc.
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