Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Guest posts’ Category


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Hullo to all in Atuldom

September 2, 2017. The lady who made the fringe-cut hair style popular would have been 76. Yes, I am talking of Sadhana and that hair style called “sadhana cut”. I am sure every girl of the 1960s and 70s would have sported the style at least once in her lifetime. Apparently this look was inspired from the British actress Audrey Hepburn (some more on this later).
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today’s song is from a lesser known film ‘Pehla Pehla Pyar’ (1958).  Made by National Cine Corporation, it was produced by Daljit and directed by the veteran Nanubhai Vakil.

As we all know, in the early era of films – both silent and talkie, many actresses came from the traditional singing families (read tawaiafs). Average to good looks and ability to sing tolerably were their main qualifications. Many of these girls joined film line for two reasons. One – it gave them name, fame and money and the more importantly second – they tried to catch a big fish to marry. Many of them succeeded in this and we can see many examples of such marriages and live-in relationships of these girls in the film line. Gujarati producers and directors were in the forefront in this matter.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today’s song is from the film Bhool Bhulaiyan-49.

Films with this title were made three times.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today’s song is from film ‘Baghdad Ka Jaadu’ (1956). The HFGK is silent on the singer names, but MD is indicated as Shafi M Naagari.

The name of the city of Baghdad became famous all over the world after the Arabian Night stories became popular in almost all languages of the world. There was an air of mystery around the city where many or most stories are told by Princess Scheherzade to the Sultan Shahryar. These are said to be 1001 stories, each told in parts every night by her to delay her death. These stories were first published in English in 1706 and in quick time became extremely popular throughout the world.
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This article is written by Mahesh Mamadapur, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

zamaanaa bade shauq se sun raha tha
hameen so gaye daastaan kehte kehte
hameen so gaye

Today is the remembrance day of legendary singer Mukesh. (23 July 1922 to 27 August 1976).

“Each word from his lips was a pearl. No one could sing the way Mukesh did, with the right diction, inflexion and intonation. His vocal timbre was out of this world.”

These are the words of composer Salil Choudhary in praise of the voice of Mukesh.
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This article is written by Mahesh Mamadapur, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Mukesh and his co-singers – 4
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A song recorded and composed by Roshan in 1950, was the topic of discussion on a TV program nearly 5 decades later. The singer (judge on the show) was requested by none other than Anil Biswas, to sing a few lines of the famous song. The specific reference was to the word “ib” in the song “Sun Bairi Balam Sach Bol Re Ib Kyaa Hoga” from ‘Bawre Nain’ (1950). She rendered the song in an effortless manner without any background music. It is difficult to believe that she could sing so well at the spur of the moment.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Wandering into the world of movies of 1930s and 40s gives me immense pleasure. Digging for difficult to find information about old films, directors, music directors, singers or actors is an interesting challenge for me.While on a chase for such information, I frequently come to dead ends and then have to seek another road to gaining knowledge. It is very sad that in our country, documentation about films of 1930s and 40s is very poor.
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This article is written by Bharat Upadhyay, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Jaidev Ki Non-Filmi Suraavali – 04
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Chhaya Ganguly is an ardent disciple of Madhurani, guru to so many other contemporary ghazal singers.

As mentioned earlier, Jaidev ji was so much impressed by Chhaya Ganguly’s voice and its tonal quality, much different from the prevalent style of most of the contemporary singers. He decided to make a devotional album suited to Chhaaya’s voice. The album ‘Bhakti Sudha’ was published by SaReGaMa (originally HMV, and then RPG) in 1983. It contains eight melodious devotional songs. Today’s post is the second Bhajan from this album to be introduced here on our marvellous musical blog. This Bhajan is written by blind poet Surdas-ji.

This Bhajan is set in the typical Boul music from Bengal. This one is one of the most popular bhajans of Surdas. I have not been able to hear two three words in the last stanza. Please will someone help me?

Chhaya Ganguly’s renderings charged with emotions, divine abandon and melody do full justice to the rich contents of the original verses. Her haunting and sensitive style lingers in the mind long after the last note has faded away.

 


Song – Nath Mohe Ab Ki Ber Ubaaro (Chhaaya Ganguly NFS) (1983) Singer – Chhaaya Ganguly, Lyrics – Soordas, MD – Jaidev

Lyrics

naath mohe..e..e
naath mohe..e..e mohe..e..e
naath mohe
ab ki ber ubaaro
mohe ab ki ber ubaaro
mohe ab ki ber ubaaro
mohe ab ki ber ubaaro
naath mohe ab ki ber ubaaro
mohe ab ki ber ubaaro
 
tum naathan ke naath swami
daata naam tihaaro
daata naam tihaaro
tum naathan ke naath swami
dataa naam tihaaro
dataa naam tihaaro
karam-heen janam ko andho
karam-heen. . .
karam-heen janam ko andho
mo te kaun nakaaro
nakaaro
mo te kaun nakaaro
mohe ab ki ber ubaaro
mohe ab ki ber ubaaro
ubaaro
mohe ab ki ber ubaaro
mohe ab ki ber ubaaro

teen lok ke tum prati-paalak
teen lok ke tum prati-paalak
main hun daas tihaaro
teen lok ke tum prati-paalak
main hun daas tihaaro
taari jaati kujaati shyam tum
taari. . .
taari jaati kujaati shyam tum
mo par kirpa dhaaro
dhaaro
mo par kirpa dhaaro
mohe ab ki ber ubaaro
mohe ab ki ber ubaaro
ubaaro
mohe ab ki ber ubaaro
mohe ab ki ber ubaaro
 
shudra patit tum taare ramaapati
shudra patit tum taare ramaapati
ab naa karo jiya gaaro
shudra patit tum taare ramaapati
ab naa karo jiya gaaro
soordas saacho tab maane
soordas
daata. . .
soordas saacho tab maane
jo h’ve mam nistaaro
nistaaro
jo h’ve mam nistaaro
mohe ab ki ber ubaaro
mohe ab ki ber ubaaro
ubaaro
mohe ab ki ber ubaaro
mohe ab ki ber ubaaro
mohe ab ki ber ubaaro
mohe ab ki ber ubaaro
———————————-
Hindi script lyrics (Provided by Sudhir)
———————————–

नाथ मोहे॰॰ए॰॰ए
नाथ मोहे॰॰ए॰॰ए मोहे॰॰ए॰॰ए
नाथ मोहे
अब की बेर उबारो
मोहे अब की बेर उबारो
मोहे अब की बेर उबारो
मोहे अब की बेर उबारो
नाथ मोहे अब की बेर उबारो
मोहे अब की बेर उबारो

तुम नाथन के नाथ स्वामी
दाता नाम तिहारो
दाता नाम तिहारो
तुम नाथन के नाथ स्वामी
दाता नाम तिहारो
दाता नाम तिहारो
करमहीन जनम को अन्धो
करमहीन॰॰॰
करमहीन जनम को अन्धो
मो ते कौन नकारो
नकारो
मो ते कौन नकारो
मोहे अब की बेर उबारो
मोहे अब की बेर उबारो
उबारो
मोहे अब की बेर उबारो
मोहे अब की बेर उबारो

तीन लोक के तुम प्रति-पालक
तीन लोक के तुम प्रति-पालक
मैं हूँ दस तिहारो
तीन लोक के तुम प्रति-पालक
मैं हूँ दस तिहारो
तारी जाती कुजाति श्याम तुम
तारी॰॰॰
तारी जाती कुजाति श्याम तुम
मो पर किरपा धारो
धारो
मो पर किरपा धारो
मोहे अब की बेर उबारो
मोहे अब की बेर उबारो
उबारो
मोहे अब की बेर उबारो
मोहे अब की बेर उबारो

शूद्र पतित तुम तारे रमापति
शूद्र पतित तुम तारे रमापति
अब ना करो जियो गारो
शूद्र पतित तुम तारे रमापति
अब ना करो जियो गारो
सूरदास साँचो तब माने
सूरदास
दाता॰॰॰
सूरदास साँचो तब माने
जो ह्वै मम् निस्तारो
निस्तारो
जो ह्वै मम् निस्तारो
मोहे अब की बेर उबारो
मोहे अब की बेर उबारो
उबारो
मोहे अब की बेर उबारो
मोहे अब की बेर उबारो
मोहे अब की बेर उबारो
मोहे अब की बेर उबारो


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today(21st August 2017) is the last Monday of the holy month of Shrawan, in the Southern, Western and some Eastern states of India. For the rest of India the Saawan month had ended on the 7th August itself. Today’s Shiv bhajan is from the film Shri Ganesha janma-1951.
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This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Hullo to all in Atuldom

Wishing all a very Happy 70th INDEPENDENCE DAY. We step into our 71st year of Independence.

As children, we have been inculcated with a sense of patriotism. My school had a practice of hoisting the National Flag at a particular hour. Later in my life I was given to understand that this practise is governed by the hour the flag is hoisted in the nation’s capital Delhi- it seems that the flag has to be hoisted first in Delhi at the Red Fort and then the nation follows. I would love to know if what I learnt is right or wrong.
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