Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘“ornament” song’ Category


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4271 Post No. : 15502 Movie Count :

4318

Today, 28th March, is the remembrance day of another famous creator of musical melodies who has given us some of the most charming songs rooted in the classical music of our country. Shrinath Tripathi or SN Tripathi, passed away, this day in 1988 in Bombay, at the age of 75.
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This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3991 Post No. : 15084 Movie Count :

4181

Has anyone seen today’s google doodle?!!!!

It is dedicated to our dear Mogambo a.k.a Durgaprasad Bharadwaj a.k.a Chaudhry Baldev Singh a.k.a Thakur Durjan Singh a.k.a Balwant Rai a.k.a Kishorilal a.k.a Amrish Puri.  He would have been 87 today.

Feels like they have appreciated some one close to our family. The doodle shows him in the look he sported for DDLJ – ‘Dilwaale Dulhaniya Le Jayenge’ (1995) as Chaudhry Baldev Singh. That movie is remembered as much for the last scene where the Chaudhry tells his daughter

jaa beta jaa. Apni Raj ke paas jaa. Jaa Simran, jee le apni zindagi jaa beta jaa

The last scene can be seen on YT at https://www.youtube.com/watch?v=eAaL5HZC5YI. The movie is remembered for this last scene, as much for all the romance and romantic songs that it had.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3530 Post No. : 14179

“Anokhi Ada”(1973) was produced and directed by Kundan Kumar for Kundan Films, Bombay. The movie had Jeetendra, Rekha, Vinod Khanna, Mehmood, Padma Khanna, Nazeer Hussain, Manmohan Krishn, Kanhaiyya Lal, Brahmchaari, Praveen Pal, Keshav Rana, Sanjana, Shetty, Abhimanyu Sharma, Narbada Shankar, Anand Joshi, Deenanath, Ajit Soni, Bihari, Vijendar Bannerji etc with guest appearances by Manmohan and Jeevan.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

A few days back, I had mentioned in one of my articles in the Blog that I regard 1940s as the transitional phase for Hindi film music which paved the way for the arrival of the golden period of Hindi film music in 1950s and 1960s. The music director who triggered the ‘renaissance’ period of the 1940s in Hindi film music was Master Ghulam Haider. His song compositions in ‘Khazaanchi’ (1941) revolutionised Hindi film music. One of the popular songs from the film Saawan ke nazaare hain (Khazaanchi) was a trend setter not only for Hindi film music but also for the picturisation of the song.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today’s song is from the film Abhimaan-1973.

It is not that I write only about films and music of the period from 1930s to 1960s. Though that is my first love and also my forte, I believe that Amitabh’s films of the 70s and 80s are in a league of their own. Like millions of his fans, I too was an ardent fan of Amitabh Bachchan for his pre-1984 films. My most favourite film of Amitabh Bachchan is Trishool-78. In those days, I had bought the VCR cassette of Trishool and watched the film repeatedly on it,till my wife and daughters got sick of it and staged a mutiny against me. After the VCR became obsolete, I sold it at just Rs. 100 and also disposed off all the video cassettes-except Trishool. It is still with me, as useless as anything can be and occupying a space in the cabinet. It carries a sentimental value for me. Though I can not play it anymore, arting with it is out of question. Incidentally I do not have VCD of this or for that matter of any other film.
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“Kangan” (1971) was a Vikas Chitra Production. It was produced by M B Raj and Jagdish Sharma and directed by K B Tilak. The movie had Ashok kumar,Sanjeev Kumar, Mala Sinha, Chandrima Bhaduri, Shyama, Jeevan, Aruna Irani, Mehmood, Leela Misra, Mridula Rani, Asit Sen, Sadhna Khote, Gummadi, Smita, Baban Lal, Paul Sharma,Irshad Panjtan etc in it.
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“Sitaara” (1980) was a Sunandini Pictures production.It was produced by Mallikarjuna Rao and directed by Meraaj. The movie had Mithun Chakraborthy, Zarina Wahaab, Kanhaiyalal, Suresh Chatwal, MacMohan, Paintal, Dinesh Thakur, T P Jain, Yunus Parwaiz, Mumtaz Shanti, Pathak, Kishore Kapoor, Bhooshan Banmali, Radha Swamy, Prakash Raghuvanshi, Kabira, Mallik, Agha, Jalal Agha etc in it.
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This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Here is another song from the film “Laila Majnu”. This is also a Lata-Rafi duet, composed by Madan Mohan. Lyrcist is Saahir Ludhianvi. This must be the most popular song from the film. And for once the songs composed by Madan Mohan were more to the tastes of the masses rather than the classes. This may have been in accordance with the theme and setting of the film, this being a period film, if not historical. Even if this is the sixth song to appear in the blog, the songs of the film are not yet done. There are three more songs that remain to be discussed.
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