Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 1970s (1971 to 1980)’ Category


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4364 Post No. : 15690 Movie Count :

4371

“Jaan e Bahaar”(1979) was produced by Prakash Agrawal and directed by Prakash Kapoor for Nav Chitra Bombay. This movie had Sachin,Sarika, Jagdeep,Paintal, Indrani Mukherjee, Pinchoo Kapoor, Madan Puri, Kanhaiya Lal, Lalita Pawar, Manju Bansal, Rajguru, Bhagwan Dada, Mushtaq merchant, Manhar Desai, Viju Khote, Renu, Ram Avtar, Bhagwan Sinha, Munshi Munnaka, Satyabhan Sinha, Pappu, Rasool, Sheikh, Ramesh Goel, Anu Dhavan, Sangeeta Bhosle, Deependra, Ashok.L.,Sattar Bhai, Manohar, Subhash Ohri, Baijnath, Masterjee, Ashat Kapoor, Vinod Sharma, B.C.Mahor, Sitaram, Aslam Khan, Satya Devi, Khushal, Raaj Anand, Rustum-e-Hind, Suresh Jain, Ashok Bhatia, with friendly appearances by Padma Khanna, Junior Mehmood, Asrani and Dheeraj Kumar.
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4362 Post No. : 15686 Movie Count :

4370

#the Decade of Seventies – 1971 – 1980 #
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# Bhoole-Bisre Geet # 92 # R.D. Burman – Year 1977
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It is another important day today for all of us today (27 june 2020). Remembering the genius Music Director Rahul Dev Burman – ‘Pancham’ on his eighty-first birth anniversary today.

As a tribute to him I am presenting a song composed by him from the movie ‘Jeewan Mukt-1977’.
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This article is written by Raja, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day:

4355 Post No. : 15674

Hello everyone,

So after what seems like ages, I’m back here with a post.
You can therefore assume it must be a special occasion.
A special anniversary, of an artiste or celebrity.

And it is.

Today is the birthday of the most important celebrity for this blog.
In fact, without this celebrity, the blog would not even have existed.
Yes, I’m talking about Atul himself.

Wish you a very very happy birthday, Atul.
Many happy returns of the day!
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4354 Post No. : 15670 Movie Count :

4364

Hindi Songs in Bangla Film – 30
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In my last article, I had covered a fictional character, ‘Byomkesh Bakshi’,  created by the writer Sharadindhu Bandopadhyay on which TV serials and films have been made. While writing the article, I recalled that Satyajit Roy has written stories on his fictional character, ‘Feluda’ who is also a detective and investigator. He had directed two Bangla feature films based on ‘Feluda’ stories – ‘Sonar Kella’ (1974) and ‘Joy Baba Felunath’ (1979). It will be interesting to note as to how these two detective characters differ in their style of investigations which I will come to it later.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day:

4348 Post No. : 15660

Songs Repeated in Hindi Films – 19
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Even this one – you might say. Aah yes, even this one. 🙂

This song from ‘Mahal’ in 1949, probably has the most recognized prelude across the entire history of Hindi Film Song. It has become the signature song of the earlier decades of Hindi cinema. No representative selection of Lata ji’s songs would ever be considered complete without it.

The all too familiar picturization – the girl on the swing then the empty swing, the lonely boat in the river, the stunningly beautiful features of Kamini (Madhubala) – the song and its images are now an unforgettable montage. There is a whole traditional lore that now accompanies this song, which has achieved a cult status over the decades.
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This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4346 Post No. : 15654

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Blog 10-Year Challenge (2010-2020) – Song No. 36
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This day ten years ago (viz 11 june 2010) saw as many as five songs being covered. Discussing as many as five songs in a day was quite rare those day. This feat was achieved only four times in previous seven months !

Following five songs were overed on 11 june 2010:-

Song Movie title-Year Remarks
Jeena kyaa aji pyaar binaa Dhan Daulat – 1980 01 song posted (of 5)
Gayaa bachpan jo aayi jawaani Aankhon Aankhon Mein – 1972 All songs covered
Mere man ke diye Parakh-1960 All songs covered
Magar ae haseenaa e bekhabar Dholak-1951 All songs covered
Ham aankh michauli khelenge Khandaan-1942 All songs covered

It is interesting to note that four films (out of five) covered that day are already YIPPEED. “Dhan Daulat”(1980) was on the other end of the spectrum. No other song from this movie has been discussed in last ten years !
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4343 Post No. : 15648 Movie Count :

4358

‘Sparsh’ (1980) was Sai Paranjpye’s first feature film. Besides directing it, she wrote the story, screen-play and dialogues.  At the time of making of the film, she faced enormous problems at every stage – from the selection of actors to the submission of the film’s final print to the Central Board of Film Certification and then to the Feature Film Jury of the National Film Awards on due date. And if I go by what the director of the film has revealed through her interviews in newspapers and periodicals and also in her Marathi book, ‘Sai – Maaza Kalapravaas’, the major obstacles came from the producer of the film – Basu Bhattacharya, who was known in Hindi film industry as a stingy producer.
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This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4341 Post No. : 15643 Movie Count :

4357

“Hare Krishna”(1974) was directed by K Kameshwar Rao for Mukesh Enterprises, Madras. This movie which was a mythological movie had Hema Malini, Jaylalitha, N T Ram Rao, Jamuna, Devika, Rama Prabha, Kanta Rao, S V Ranga Rao, Nag Bhushanam, Rukmini, Satyabhama etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4336 Post No. : 15633 Movie Count :

4354

Today (1 june 2020) is pehli taareekh. And it turns out that today is World Milk Day. In India, National Milk Day falls on a different day, namely 26 November, which is the birthday of Verghese Kurien, who brought White revolution( Milk revolution) in India.

When I was growing up, India was a desperately poor country. It was deficient in foodgrains and also milk. Our history books wistfully recalled those days in distant past when India was a prosperous country where “दूध की नदियाँ बहा करती थीं” ( “doodh ki nadiyan baha karti thi). Indians wistfully sighed and felt envious of countries like Netherlands that they were the nation that had doodh ki nadi flowing in their country.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day: 4330 Post No.: 15624

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Bangla Song in Hindi Films-2
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‘Basu (Bhattacharya) used to be fired up by one-liners. He drew stories from one-line coming from his fertile mind’ thus said Rinki Roy Bhattacharya, daughter of Bimal Roy and the ex-wife of the late Basu Bhattacharya in an interview. After going through the interviews of Rinki Roy Bhattacharya and Gulzar who had been associated with Basu Bhattacharya, I have come with my own one-liner about Basu Bhattacharya. He made high quality films with low budget. His first film as a producer-director, ‘Uski Kahaani’ (1966) was made with a budget of Rs.one lakh only.

How did Basu Bhattacharya managed to produce and direct low budget films? Except the lead actors, he took his close friends as side actors, lyricists, music director and technicians with a tacit understanding that they will work within his low budget. And none of them seems to mind it as they kept their personal friendship above the professional relationship. He did not shoot the film in a studio but hired flats for shooting. For example, he majorly shot ‘Anubhav’ (1971) in Tanuja’s flat. ‘Aavishkar’ (1974) was majorly shot in his own flat at Khar.
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