Archive for the ‘fun timepass song’ Category
- In: Binapani Mukherji Songs | Devnagri script lyrics by Sudhir | Duet | Feelings of heart | fun timepass song | Guest posts | Lover's tête-à-tête | Lyrics contributed by readers | Post by Sudhir | praising a person | Rafi - Binapani Mukherji Duet | Rafi duets अ से ह तक | Rafi songs | Series of articles | Song used in more than one film | Songs of 1940s (1941 to 1950) | Songs of 1949 | Yearwise breakup of songs
- Leave a Comment
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3632 | Post No. : | 14460 |
Mohammed Rafi – Duets – ‘अ’ से ‘ह’ तक (From ‘अ’ to ‘ह’) – 18
– – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – –
‘द’ – दिल्ली वाले साब गजब कर डाला रे ॰ ॰ ॰
– – – –
खुदा भी आसमान से जब ज़मीं पर देखता होगा॰ ॰ ॰
तेरी आवाज़ को किसने बनाया, सोचता होगा॰ ॰ ॰
The voice, that defined a new benchmark for divinity; no wonder if God Himself would be wondering, how such a human voice got created. . .
– – – –
Presenting the next song in this series.
Read more on this topic…
Ek Rasgulla Kahin Phat Gaya Re
Posted on: June 20, 2018
- In: "Street Singing" song | "roadside tamaasha" song | Alka Yagnik Song | Amit Kumar - Alka Yagnik Duet | Amit Kumar songs | Celebration Song | Debut song of movie in the blog | Devnagri script lyrics by Sudhir | Drunkard song | Duet | Female drunkard song | Fun lyrics song | fun timepass song | Guest posts | Lyrics contributed by readers | Post by Peevesie's mom | Songs of 1980s (1981 to 1990) | Songs of 1990 | Yearwise breakup of songs
- 4 Comments
This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
3624 | Post No. : | 14443 | Movie Count : |
3987 |
Hullo Atuldom
The song with this post is a Peevesie discovery. I don’t remember when exactly, but definitely a few years back she mentioned about this song to me. And it looks like she has seen and enjoyed the video too and it has stayed in her memory. She remembered exactly how the song starts. And the dance steps of Govinda and Madhuri. Awesome combination. Just like in the previous Madhuri Dixit song where with Prabhu Deva as her co-dancer, here too, she is excellent. She is in a different orbit when she has a dancer for a co-actor. In “Que serasera” she matched Prabhu Deva step for step, here it is a typically Govinda dance that is a treat.
Read more on this topic…
- In: "clock" song | "Nok-Jhonk" song | Devnagri script lyrics by Sudhir | Duet | Feelings of heart | fun timepass song | Guest posts | Invitation song | Love song | Lover's tête-à-tête | Lyrics contributed by readers | Post by Sudhir | Rafi duets अ से ह तक | Rafi songs | Rafi Suman Kalyanpur duet | Series of articles | Songs of 1950s (1951 to 1960) | Songs of 1960 | Suman Kalyanpur songs | Yearwise breakup of songs
- 2 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3616 | Post No. : | 14418 |
Mohammed Rafi – Duets – ‘अ’ से ‘ह’ तक (From ‘अ’ to ‘ह’) – 14
– – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – –
‘ज’ – जब घड़ी बोले चार गोरी करके सिंगार ॰ ॰ ॰
॰ ॰ ॰ ॰ ॰ ॰
तुम्हें रुकना पड़ेगा, मेरी आवाज़ सुन कर ॰ ॰ ॰
जी, आपकी आवाज़ सुन कर तो हम आज भी रुक जाते हैं। आप खुद ही कहीं दूर हो, जहां हमारी आवाज़ शायद नहीं पहुँचती॰ ॰ ॰
Looking at the title line, I am tempted to start searching for songs which are built around the theme of the clock and time on the clock. Yes, there are a few songs that come to mind, but then likely many of them are probably already here on the blog. Let me see.
Read more on this topic…
This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3505 | Post No. : | 14085 |
‘Saas Bhi Kabhi Bahu Thi’ (1971) is different from the serial ‘Kyun Ki Saas Bhi Kabhi Bahu Thi’ which came a long time after the movie. The movie was an all-round entertainer. We would not get anything less in a movie where Om Prakash heads the cast and the hero (Sanjay Khan in this case) plays a second fiddle to Om Prakash and Jagdeep. Plus, when the mirch-masalas Lalita Pawar and Shashikala spice up the whole setup, it is but natural that the lead cast (Sanjay Khan and Leena Chandavarkar) become secondary – their presence being needed for the romantic interludes.
Read more on this topic…
Zara Sa Us Ko Chhua To
Posted on: February 3, 2018
- In: "roadside tamaasha" song | Devnagri script lyrics by Sudhir | fun timepass song | Guest posts | Lata solo | Lata song | Lyrics contributed by readers | Post by Sudhir | Songs of 1970s (1971 to 1980) | Songs of 1972 | Street singing | Theme song | Title song | Yearwise breakup of songs
- 6 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3487 | Post No. : | 14008 |
The yippeee film for today the 1972 production by Manoj Kumar – ‘Shor’.
There was a period in the career of Manoj Kumar, where every film he touched has either been a hit, or it has commanded a cult status over the years. Starting with ‘Shaheed’ in 1965, and right up to ‘Kranti’ in 1981, he produced, directed and acted in a string of hit films, that have become memorable icons over the years. It was ‘Shaheed’ in 1965, then ‘Upkar’ in 1967, then ‘Poorab Aur Pashchim’ and ‘Yaadgar’ in 1970, then ‘Shor’ in 1972, ‘Roti Kapda Aur Makan’ in 1974, and then ‘Kranti’ in 1981. Of these, the 1972 production of ‘Shor’ is kind of the odd one out – it is not really a patriotic / nationalist theme, that is Manoj Kumar’s forte, that earned him the nickname of Mr Bhaarat. After 1981, Manoj Kumar seemed to have lost his touch, and after a string of indifferent productions – ‘Painter Babu’ (1983), ‘Kalyug Aur Ramayan’ (1987), and ‘Clerk’ (1989), he kind of let go the production / direction stance.
Read more on this topic…
- In: Asha Bhonsle solo | Asha Bhonsle songs | Celebration Song | Dance song | Dev Anand present without lip syncing | Dev Anand songs | Devnagri script lyrics by Sudhir | Feelings of heart | Folk Dance | Folk song | Fun lyrics song | fun timepass song | Guest posts | Lyrics contributed by readers | playful song | Post by Sudhir | Songs of 1970s (1971 to 1980) | Songs of 1971 | Yearwise breakup of songs
- 3 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3474 | Post No. : | 13953 |
The film ‘Tere Mere Sapne’ is an intense personal favorite, as are many of Vijay Anand’s films. This film is a very sensitive, rational and balanced view of the healthcare systems in our country, especially in the rural areas. Of course, the time frame is of 1960s (the film released in 1971). The medical profession and healthcare systems have seen unbelievable transformations, especially the brazen and vulgar commercialization of this profession, that was once considered a hallowed service of the people. But maybe more of that later.
I like this film, in all its aspects. I know when this film was released, there were many articles in magazines and newspapers, trying to find and point out technical and medical faults with the film’s many medical scenarios. It was like pointing out the defects in a mango, that one is no doubt enjoying, but still complaining that the skin of the mango is too thick or too thin. 🙂 My counter to this discussion was – please, hold on, this is a film, a dramatization of human situations. The director is trying to tell a story, about a very important profession in the society, attempting to exhibit certain ground realities, and also trying to suggest some approaches. It is not a treatise on anatomy or cardiology, that should be scientifically perfect, but does not tell a story.
Read more on this topic…
Gaadi Dilli Waali Chali
Posted on: January 16, 2018
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3469 | Post No. : | 13929 |
It is almost close to midnight, and in some regions, it is the ‘witching hour’. Well, on our blog, it is the ‘Yippeee-ing hour’ 🙂 🙂 .
Today’s yippeee film is an obscure film from 1960 – ‘Delhi Junction’. This film has recently been a matter of gossip in the circle of collectors. You see the thing is that there is word going around that this film is available with someone, who is willing to sell it for a price; quite a price I assure you. At first, it seemed to be another interesting stir in the collector’s community, types if which continue to create waves quite frequently, and then come to a naught. But then it seems, it became a serious talk. A couple of posts emerged on the YouTube containing short video clips of the songs of this film. So it seems there is serious game afoot, and it is possible that we may get some more confirmed news – time frame undefined. Depends on when someone is able to meet the pricing demands. Let us see.
The film has some really memorable songs, as can be ascertained from the table of posted songs, included further down in this article. These songs have been dear favourites from the radio listening days. And that makes this film all the more inviting, and interesting.
The film comes from the production house of Nigaaristan (India) Films, Bombay. It is produced by RL Sharma and is directed by Mohammed Husain. It must have been considered an important film in its time, considering the star cast. The players leading the cast are Ajit and Shakila. Other members of the cast include Nishi, Maruti, Manorama, Tiwari, Pran, Protima Devi, Murad, Rafiq, Kamal Mohan, Harun, Anwari Bai, Pal Sharma, Jagdish Kanwal, Nadir, Satish, Sadiq, Sarita, Kukku, Rajni, and Khurshid etc.
Read more on this topic…
- In: Devnagri script lyrics by Sudhir | Duet | Feelings of heart | Free Spirit Song | fun timepass song | Group Dance | Guest posts | joie de vivre | Light hearted song | Lyrics contributed by readers | One singer singing for several actors | Post by Sudhir | Songs of 1960s (1961 to 1970) | Songs of 1963 | Suman Kalyanpur songs | Usha Mangeshkar songs | Usha Mangeshkar Suman Kalyanpur duet | Yearwise breakup of songs
- 15 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
ना जाने क्यों॰ ॰ ॰ होता है ये ज़िंदगी के साथ
अचानक ये मन
किसी के जाने के बाद
करे फिर उसकी याद॰ ॰ ॰
Aah, Shyama. . . the vivacious, bubbly, chirpy, charming Shyama. That is the image that the mind always carries, of this spirited young lady, so full of life on the screen. Some memories and some reflections are so firmly engraved in the mind that it simply does not register or acknowledge the passage of time and the passing of eras. That is the beauty of these memories – that their beauty simply never fades away.
Read more on this topic…
Jab Tak Ye Sansaar Nachaaye
Posted on: October 1, 2017
- In: "roadside tamaasha" song | Devnagri script lyrics by Sudhir | Duet | fun timepass song | Guest posts | Lyrics contributed by readers | Monkey song | Mukesh songs | Mukesh Usha Mangeshkar duet | Multi part song | Multiple version song | philosophical song | Post by Sudhir | Songs of 1960s (1961 to 1970) | Songs of 1966 | Street singing | Thousandth song for the artist | Thousandth song in the blog | Usha Mangeshkar songs | Yearwise breakup of songs
- 5 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
This post celebrates the 1000th song of Majrooh Sultanpuri on our blog.
rok sakta hamen zindaan e balaa kya majrooh
hum to awaaz hain deewaaron se chhan jaate hain
Powerful lines, written while he was in prison – no, not under the British rule; that happened back in 1946-47. This was a second time he was imprisoned c1950-51, under the regime of a free India. A poet with leftist leanings, his progressive writings were considered a threat by the British regime (which is understandable), and also considered a threat by then government of Morarji Desai (in Bombay). A song titled ‘Aman Ka Jhanda’ was sung at a meeting of poor labor class workers in the Parel area. Being the author, and the on stage presenter of this song, drew the ire of the establishment, and arrest warrants were issued in his name. He was arrested after being underground for some time, and sentenced to one year imprisonment. Morarji Desai suggested that he may render an apology for his writings, and he would be a free man. In response, the young revolutionary poet wrote this couplet.
rok sakta hamen zindaan e balaa kya majrooh
hum to awaaz hain deewaaron se chhan jaate hain
No walls of a prison
No tyranny of a jailer
Has the power to bind me
I am the voice (of conscience)
That permeates through
The walls of confinement
[Note: zindaan = jailer]
Remembering Majrooh Sb on the 98th anniversary of his birth today (1st October).
Read more on this topic…




Recent comments