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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Fabulous Foot Tappers – 5
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Sometimes it so happens that some song is so well ingrained in memory that it appears as if, oh well, everyone must remember this song.  And further, it simply cannot be so that this song is not yet on the blog.  But then, surprises never cease, right?

This wonderful song is a keen memory from the childhood radio listening days.  As I am browsing through my collection of the 1960s, I come across the 1965 film ‘Sindbad, Alibaba, Alladin’.  The list of songs rang a few bells I just happened to check the list on the blog. Two songs from this film are absolute foot tappers.  One of them is already posted – “Mera Naam Jinny, Soney Ki Ginni”.  But this song, is still waiting to be showcased.  Well, here it is.

Most fast rhythm songs that I can recall generally use the drums of various types to create the fast paced tempo.  But in this song, a major part of the rhythm is based on the tabla.  In fact, all portions of the song excluding the music interludes, are based on a very prominent beat of the tabla.  As one listens to this song, one is taken in by the fantastic pace that is sustained throughout the song, primarily on the strength of the tabla beats. Absolutely enchanting.

I have the film in my VCD collection, but I have yet to see it.  As our dear Arun ji has remarked in one of his earlier articles, the producers of Hindi films have really a prolific imagination, and over the years they have been successful to bring together historical and fictional characters across time and across geographies.  And so the script writers are given a free hand to bring together, say Hercules who is persona from the Greek mythology from more than a couple of thousand years ago, and Tarzan, whose fictional existence is rooted in the twentieth century imagination of an American writer, writing about the jungles of Africa.  So if that can be accomplished, then bringing together three separate stories from the Arabian Nights, and tying them into a single thread is a ‘baayen haath ka khel’ (a left-hand-job aka a very easy task) for the idea generators and scriptwriters of Hindi films.  And thus come about films like ‘Tarzan And Hercules’ and ‘Sindbad, Alibaba, Alladin’.

The film is from an innocuous banner – All India Pictures, and is directed by PN Arora (regulars would recognize him as the one time ‘mentor’ to Helen).  Cast of actors includes Pradeep Kumar, Saeeda Khan, Agha, Bhagwan, Ulhas, Helen, Meenu Mumtaz, Zohra Jamal, Heeralal, Rajan Haksar, Ramavtar etc.  There are more players in the film, e.g. the three ladies performing this song on screen – I have not been able to identify them, and request help from keener ‘identifiers’ to please help name these dancers.  The three leading protagonists of course are Pradeep Kumar, Agha and Bhagwan, who are introduced in the beginning of this clip, as is Rajan Haksar.  Later in the song, one can also make out the rotund figure of Ramavtar, as the chief of royal guards, so to say.

The words are from the pen of SH Bihari.  The zippy music comes from the mind of Ravi.  And the singing voices are of Asha Bhosle, Usha Mangeshkar and Meenu Purushottam.  I have tried to identify the voices and color code them.  However, I would request keener ears to suggest any corrections to the color coding of this song.

As I was checking online, I located this video clip, which is not the best quality, plus the lip syncing is out of sync, between the sound of the words and the performers’ lip movements.  Just on interesting hunch, I picked out this song from my collection and listened to it.  And found it to be a longer song, with a bonus extra stanza.  So I uploaded the audio today, and have provided both the links. The lyrics are based on the longer audio version.

The time even in the 1960s was that the songs had to be recorded in single sessions.  As I listen to this song, I marvel at the artistry and the timing of all the artists involved, singers and instrumentalists, who synchronize this rapid fire combination of three singing voices and a combination of multiple music instruments.  Technology these days has climbed to such heights that such single session recording efforts are redundant.  And that is what makes me marvel the artists of yore all the more.  That they were able to create such fantastic rhythms and melodies, which simply are no longer available, with some rare exceptions.  What the artists of that golden era could create without the help of this technology, is a thousand times more hear-able and memorable from the ‘music-stuff’ that we get today.

Sorry for the digression.  Just thinking about the process of generating the music items, and their quality.  Let me not keep you any longer, from enjoying this fabulous foot tapper.  And that too, based on tabla beats.

Just listen and enjoy.  And marvel. :)

Video (2 stanzas)

Audio (3 stanzas)

Song – Lai Lai Maula Lai Lai, O Lai Lai Maula Lai (Sindbad Alibaba Alladin) (1965) Singer – Asha Bhosle, Usha Mangeshkar, Meenu Puroshottam, Lyrics – SH Bihari, MD – Ravi
Asha + Usha + Meenu

Lyrics

lai lai maula lai lai
o lai lai maula lai
sar pe topi laal pehen ke
turki main ban gayi
ho o
lai lai maula lai lai
o lai lai maula lai
sar pe topi laal pehen ke
turki main ban gayi
o wallaah wai wai wai
o wallaah wai wai wai
o wallaah wai wai wai
o wallaah wai wai wai

na main yunaani hoon
na main irani hoon
teri deewaani hoon
allaah kasam
dil le ke aayi hoon
mehfil pe chhaai hoon
wallaah duhaai hoon
mere sanam
main wo shamma hoon
jiski khoj mein
parwaane hain kai
o o
lai lai maula lai lai
o lai lai maula lai
sar pe topi laal pehen ke
turki main ban gayi
ho o
lai lai maula lai lai
o lai lai maula lai
sar pe topi laal pehen ke
turki main ban gayi
o wallaah wai wai wai
o wallaah wai wai wai
o wallaah wai wai wai
o wallaah wai wai wai

rangeen ishaare hain
dilkash nazaare hain
ye sab tumhaare hain
jaan e jahaan
nazren ladaate ho
dil bhi bachaate ho
chhup chhup ke jaate ho
bolo kahaan
ek baar to
mud ke dekh lo
ye duniya hai nai
ho o
lai lai maula lai lai
o lai lai maula lai
sar pe topi laal pehen ke
turki main ban gayi
ho o
lai lai maula lai lai
o lai lai maula lai
sar pe topi laal pehen ke
turki main ban gayi
o wallaah wai wai wai
o wallaah wai wai wai
o wallaah wai wai wai
o wallaah wai wai wai

ye duniya faani hai
do din jawaani hai
shola hai paani hai
phir kaisa darr
qaatil nigaahon se
lehraati baahon se
chaahat ki raahon se
hans ke guzar
beqaraar hain
intezaar mein
ye aankhen surmai
ho o
lai lai maula lai lai
o lai lai maula lai
sar pe topi laal pehen ke
turki main ban gayi
ho o
lai lai maula lai lai
o lai lai maula lai
sar pe topi laal pehen ke
turki main ban gayi
o wallaah wai wai wai
o wallaah wai wai wai
o wallaah wai wai wai
o wallaah wai wai wai


———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-

लई लई मौला लई लई
ओ लई लई मौला लई
सर पे टोपी लाल पहन के
तुर्की मैं बन गई
हो ओ
लई लई मौला लई लई
ओ लई लई मौला लई
सर पे टोपी लाल पहन के
तुर्की मैं बन गई
ओ वल्लाह वई वई वई
ओ वल्लाह वई वई वई
ओ वल्लाह वई वई वई
ओ वल्लाह वई वई वई

ना मैं यूनानी हूँ
ना मैं ईरानी हूँ
तेरी दीवानी हूँ
अल्लाह क़सम
दिल ले के आई हूँ
महफिल पे छाई हूँ
वल्लाह दुहाई हूँ
मेरे सनम
मैं वो शमा हूँ
जिसकी खोज में
परवाने हैं कई
ओ लई लई मौला लई लई
ओ लई लई मौला लई
सर पे टोपी लाल पहन के
तुर्की मैं बन गई
हो ओ
लई लई मौला लई लई
ओ लई लई मौला लई
सर पे टोपी लाल पहन के
तुर्की मैं बन गई
ओ वल्लाह वई वई वई
ओ वल्लाह वई वई वई
ओ वल्लाह वई वई वई
ओ वल्लाह वई वई वई

रंगीन इशारे हैं
दिलकश नज़ारे हैं
ये सब तुम्हारे हैं
जान ए जहां
नज़रें लड़ाते हो
दिल भी बचाते हो
छुप छुप के जाते हो
बोलो कहाँ
एक बार तो
मुड़ के देख लो
ये दुनिया है नई
हो लई लई मौला लई
सर पे टोपी लाल पहन के
तुर्की मैं बन गई
हो ओ
लई लई मौला लई लई
ओ लई लई मौला लई
सर पे टोपी लाल पहन के
तुर्की मैं बन गई
ओ वल्लाह वई वई वई
ओ वल्लाह वई वई वई
ओ वल्लाह वई वई वई
ओ वल्लाह वई वई वई

ये दुनिया फ़ानी है
दो दिन जवानी है
शोला है पानी है
फिर कैसा डर
क़ातिल निगाहों से
लहराती बाहों से
चाहत की राहों से
हंस के गुज़र
बेक़रार हैं
इंतज़ार में
ये आँखें सुरमई
हो ओ
लई लई मौला लई लई
ओ लई लई मौला लई
सर पे टोपी लाल पहन के
तुर्की मैं बन गई
हो ओ
लई लई मौला लई लई
ओ लई लई मौला लई
सर पे टोपी लाल पहन के
तुर्की मैं बन गई
हो ओ
वल्लाह वई वई वई
ओ वल्लाह वई वई वई
ओ वल्लाह वई वई वई
ओ वल्लाह वई वई वई


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Kaalicharan”(1976) was produced by N N Sippy and directed by Subhash Ghai. Subhash Ghai made his debut as a director with this movie. And this movie became a big hit at the box office.
Read more on this topic…


This article is written by Mahesh Mamadapur, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Mukesh and his Composers – 2
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Mukesh started his singing and acting career in 1940. Madan Mohan started his composing and singing career a decade later in 1950. His first film Aankhen had some interesting trivia.
• Meena Kapoor sung her only song for Madan Mohan, the beautiful “Moree Atariyaa Pe Kaagaa Bole Moraa”.
• Madan Mohan himself sang a duet with Shamshad Begum.
• Raj Khosla, the famous director and producer has sung a rail song in this movie.
• Lata Mangeshkar was not part of this debut movie of Madan Mohan’s.
Read more on this topic…


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Here is a song from the film ABHIMAN-57. The name Abhiman ( Pride ) will remind people of another film of the same name , made in 1973-featuring Amitabh and Jaya. It was on the life of two singers who get married because of music and later get separated also because of music and Pride of one partner. This 1957 film was also about Pride but not about Music. It was a family drama depicting false pride of a girl-destroying her family.
Read more on this topic…


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

#the Decade of Seventies – 1971 – 1980 #
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# Bhoole-Bisre Geet # 15 # Asha Bhonsle – 2
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‘Bandhe Haath-1973’ is a movie that I had watched in a ‘touring talkies’ in a ‘village fair’, 10/12 kms away from the colony-place where we were living at that time in 1974-75.

Since then, two things related with this movie have become embedded in my mind- one – the title song of the film ‘dekho ye mere bandhe haath’ sung by Kishore Kumar, and second is the name and face of O.P.Ralhan.
Read more on this topic…


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Hullo to all in Atuldom

What is the significance of 27th June in the life of Hindi film music lovers? No need to wreck your brains. It is R D Burman’s 76th birthday. Here is a song that should have been on our blog a long time ago. I mean our blog will be 7 years old in less than a month and this song is yet to be posted OMG!!!
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today (25 june 2015) is the 91st birth anniversary of Madan Mohan (25 june 1924-14 july 1975). When I was looking at the list of Madan Mohan movies and their songs chronologically, I found that the first five Madan Mohan movies, viz “Aankhen”(1950), “Adaa”(1951), “Madhosh”(1951), “Shabistaan”(1951) and “”Aashiana”(1951) are already YIPPEED in the blog and all the songs of these movies have already been covered in the blog.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Chaalbaaz” appears to be quite a popular title for Hindi movies. Movies with this title were released at an almost uniform interval of nearly one decade each, starting from 1958. We have had movies called Chaalbaaz released in 1958, 1969, 1980 and 1989.
Read more on this topic…


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

On this blog, we have discussed often about the confusion in data and information related to films, songs and artists.  Across the various sites online, and even in print sources, there is so much misinformation floating around that it is really difficult to now have a trust on any one source.  The subject of this post is one such case in example.
Read more on this topic…


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Songs to Tickle Your Memory – 21
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There is an email from Avinash ji today morning wherein he has commented about the pace of posting in the current couple of weeks.  I quote – “. . . and this is where all my daily routine is getting affected, because the blog and the posts is my biggest motivation and new posts are not coming at earlier pace (leave alone my contributions :) even others’ are very less, no doubt, as you had said our BOSSES must be having some other priorities#”.  So not exactly taken by any surprises, still it is heartening to note that the daily routine of our fellow travelers is entwined with the set of daily posts that appear on this blog. I know there have been similar discussions and comments in the past.  And the spirit continues. :)
Read more on this topic…


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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where "new" songs are added every day, and that has been the case for more than six years. This blog has over 11200 song posts by now.

Total number of songs discussed

11234

Number of movies (All songs covered)

672

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