atul's bollywood song a day- with full lyrics

Posts Tagged ‘Asha Bhonsle


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Mausam” (1975) was produced by P Mallikarjuna Rao and directed by Gulzar for Sunandini Pictures. This movie was losely based on A J Cronin’s novel “The Judas Tree” (source-wikipedia). The movie had Sanjeev Kumar, Sharmila Tagore, Dina Pathak, C.S.Dubey, Om Shivpuri, T.P.Jain, Agha, Kamal Deep, Satyen Kappu, Lily Chakravarty, Pinchoo Kapoor, Mrinal Mukherjee, Shekhar Purohit, Yogendra, Nasir, R.Chopra, Mona Rajput, Baldev Mehta, Anwar, Chandu, Anand Pal, Ramnath etc in it.

Three songs from this movie have been discussed in the past. Here is the fourth song from this movie. This song is sung by Asha Bhonsle. Gulzar is the lyricist. Music is composed by Madan Mohan.

The song is picturised on Sharmila Tagore, with Sanjeev Kumar, Agha and Nasir also visible in the picturisation.

Lyrics of this song were sent to me by Prakashchandra.

Technically this should have been Prakashchandra’s 800th lyrics contribution, but he also sent the lyrics of the sad version of the title song of “Chalte Chalte” a few hours ago and that became his 800th lyrics contribution in the blog. I was hoping that nobody would notice and I would present this writeup as Prakashchandra’s 800th contribution. But “spoilsports” that Avinash Scrapwala and Pradip Raghunathan are, they noticed the fact and posted their congratulatory message, while I wanted a more “formal” way of congratulating him.:)

This post is our formal felicitation to Prakashchandra. Prakashchandra has become the first lyrics contributor to breach the 800 mark which is a mind boggling feat indeed. And let me remind all that it is only the tip of the iceberg. Lots more of his lyrics are lying pending in my inbox and it is my inability of handle them all that has slowed down his progress.

In addition to the sheer volume of his contribution, the quality of his lyrics also stand out. These songs are carefully picked songs and then he carries out detailed resaerch on these songs and their movies. In fact Prakashchandra sends lots of details with his contributions. Details about the movie, its makers and the artists form part of his contributions. His lyrics are properly colour coded. His earlier contribution that was discussed yesterday on the occasion of Deepaawali is a case in point. That song from “Amba”(1990), which was over seven minutes long, had five singers and three different kinds of chorus. So just imagine the volume of colour coding required for that song ! And then add the sheer effort in noting down the full lyrics of the song.

As mentioned earlier, lots of his contributions are still lying pending with me. But he is an extremely patient and understanding person, who understands my limitations. He sends me contributions for special occasions viz festivals, anniversaries of artists etc. Even if I am unable to post his contributions on those occasions, he keeps track of these pending songs and informs me whenever other occasions arise when those songs could be used. There have been occasions when I discussed Prakashchandra’s contributions three years after they were sent to me. :)

The fact that he does not take mind, nor does he get disheartened, shows his largeheartedness and compassion as well as his sheer love and determination for the cause of music.

While Pradeep Raghunathan awaits YIPPEE opportunities in the blog, it is Prakashchnadra who is allowing me create lots of those moments by sending me final lyrics from movies. In fact even this song is the final song from the movie.

I take this opportunity to congratulate Prakashchandra on breaching the 800 lyrics contribution mark and hope that he will continue to be one of the strong pillars of the blog.

And with this song, “Mausam” (1975) joins the list of movies that have all their songs covered in the blog.

Audio(full)

Video(partial)

Song-Mere ishq mein laakhon latke(Mausam)(1975) Singer-Asha Bhonsle, Lyrics-Gulzar, MD-Madan Mohan

Lyrics(Provided by Prakashchandra)

mere ishq mein laakhon latke
balam zara hatke
balam zara hatke
hho mere ishq mein laakhon latke
balam zara hatke
balam zara hatke
haayye haayye haayye
maaroongi aankh toh
neel pad jaayegaa
main maarongi aankh toh
neel pad jaayega
balam zaraa
balam zara
hatke hatke hatke
mere ishq mein laakhon latke
balam zara hatke
balam zara hatke
hho mere ishq mein laakhon latke
balam zara hatke
balam zara hatke ae

sutli se patli
hai mori kamariyaa…aaaa…aaa
haayye raam
sutli se patli
hai mori kamariyaa
kamariya se baandhi hai maine gagariyaa
gagariyaa na chhalke zaraa
hatke hatke hatke
mere ishq mein laakhon latke
balam zara hatke
balam zara hatke
hho mere ishq mein laakhon latke
balam zara hatke
balam zara hatke

shaukeen kehte hain
chhappan chhuri hai
shaukeen kehte hain
kehte hain kehte hain
shaukeen kehte hain
chhappan chhuri hai
dil ki toh achchi hai aadat buri hai
shaukeen kehte hain
chhappan chhouri hai
dil ki toh achchi hai aadat buri hai
aadi(??) na honaa zara hatke hatke hatke
mere ishq mein laakhon latke
balam zara hatke
balam zara hatke
hho mere ishq mein laakhon latke
balam zara hatke
balam zara hatke ae

badaami rang pe surkhi sharaab ki…eeee
haayye haayye ae
badaami rang pe surkhi sharaab ki
saiyyaan ne dekho meri aadat kharaab ki
muft na lagaanaa
zaraa hatke hatke hatke
mere ishq mein laakhon latke
balam zara hatke
balam zara hatke
haayye rey maaroongi aankh toh
neel pad jaayega
main maarongi aankh toh
neel pad jaayega
balam zaraa
balam zara
hatke hatke hatke
mere ishq mein laakhon latke
balam zara hatke
balam zara hatke
mere ishq mein laakhon latke
balam zara hatke
balam zara hatke ae

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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Hindi film industry is like an ocean.Several small and big rivers join it and the ocean too gracefully accepts everything. Once inside, the individual rivers lose their identity and become a part of the ocean. Similarly, people from all corners of India join this industry, but only few get proper opportunity and recognition here. The rest simply disappear in this ocean. Success, they say, has no formula. Famous composer C.Ramchandra had once said, ‘If only there is anyone who can predict correctly what will succeed and what the public will like, such a person can earn millions here !’

To succeed, only Talent is not enough, one requires the backing of Good luck too. There are hundreds of cases to prove this. If it were not so, actress Farida Jalal would have become Top Heroine or composers like C.Arjun, Jamal Sen, Daan Singh or composer GANESH would have become A grade Music Directors !

Two years back, I had written an article on Composer Ramprasad Sharma, in the series ” Unknown composers”, on 17-12-2012. GANESH was the son of this Ramprasad Sharma. His siblings were Pyarelal, Naresh, Mahesh and Gorakh. Being son of a Musician, Ganesh wanted to learn music and instruments. He soon learnt and became an expert Violin player. In fact all the brothers were Violinists. Gorakh was a good Guitarist and played for several eminent composers in later years. Father Ramprasad was a Trumpet player (He had played Trumpet in the film ‘Barsaat’-1949). He was an expert in writting ” Notations ” ( Swar Lipi)…perhaps, being in the British Band had helped him. He taught this to all his sons. only Pyarelal ( who was a part of Laxmikant-Pyarelal jodi) and Ganesh understood its importance and they became experts in this.

Ganesh was also an expert in making Tunes. It was a natural Gift to him. being a lead – violinist and Tune builder, he started his music career as an assistant to L-P. ( Same time even Shashikant-brother of Laxmikant was also an assistant to L-P ). There was a special style of Ganesh in making a Tune. In all his songs, there used to be one player, only clapping, throughout the song, to maintain rhythm. This ” clapping ” was a trademark of Ganesh, and his songs could be recognised by this clapping.

His contribution in the initial success of L-P was well known in the industry and many producers offered films to Ganesh. So much so that at one time he had many offers on hand and he had to say ‘NO’ to many. He started his independent career with ” Husn aur Ishq”-1966. The Mukesh song-‘Aye mere dil’, Usha/Krisnha kalle song-‘Nahin nahin’ and Rafi’s-‘Jin ki tasweer’ from this movie became quite famous. In 1966, Ganesh did 3 more films, including Thakur Jarnail Singh-66. This was a B grade film, Dara Singh in the lead, but its song-‘ Hum tere bina ‘ by Asha Bhosle was included in the “My Favourites” series of Asha Bhosle.

No composer gives best songs all the time or in every film, but some Gems become All Time Hits. Talented composers like Ganesh did give such gems, from whatever little number of films they got. These songs signify their originality and talent. For whatever reasons, Ganesh never got into the Big League and ended up giving music only to these 16 films- Husn aur ishq, Shera Daku, Smuggler, Thakur Jarnail Singh, Sub ka Ustaad, Anjaam, Ek nanhi munni ladki thi, Kahin aar kahin paar, Kundan, Shararat, Dhamkee, Sa re ga ma pa, Chaalaak, Ek naari do roop, Badnaam and Dozakh-1986.

He composed a total of 87 songs, out of which 52 songs are already posted on this Blog. Today’s song is his 53rd song to appear in the blog. After his last film in 1986, Ganesh was not keeping good health and he died of a sudden Heart attack on 28th march 2000, leaving behind wife, one son and a daughter.

It is worthwhile noting that Hindi Film music is enriched not only by the famous and A grade Big time composers alone,but talented small time composers-like Ganesh-have also contributed substantially to the heritage of our film music.

Today’s song is from film ‘ Ek nanhi munni ladki thi ‘-70. It was a Ramsay films production. Yes,they were the same Ramsays, who started Horror films in India with their first film-‘Do gaz zameen ke neeche’-72. The producer was F.U.Ramsay and the story was by Kumar Ramsay. This social film was directed by one of the most talented, highly educated,Sahitya Academy winner,writer dramatist/producer and director- VISHRAM BEDEKAR.

Born as Vishwanath Chintamani Bedekar, on 13-8-1906 at Amravati, Maharashtra,he took the name Vishram once he started writing. After graduation,he did his Post-graduation in English Literature from Nagpur university. He went to Poona in 1930 to do a Teaching job. here he met his student cum future wife Balutai Khare…who was one of the First girls riding on Bicycle to college,in those days. They got married in 1938. She became Malat Bedekar,a famous Marathi writer later on. His first novel ” Ranangan” came out in 1939, while he was in film business. He started by directing a Balwant Pictures film-Krishnarjun Yudha-1934, a bilingual in Marathi and Hindi.. He directed many landmark films in Marathi. Prabhat films invited him to direct Lakharani-1945. This was the first film in which Guru Dutt played a role and also did its Choreography. It was here that Guru Dutt met Dev Anand,who had joined Prabhat as an apprentice.

Vishram Bedekar divided his life and time between writing and films. He was a trained Cinematographer and Director from London in those days. he wrote several Dramas in marathi. After directing 28 films an Marathi and Hindi,he left films after doing Bharat ke shaeed-1972. In 1985 he wrote his autobiography in Marathi- एक झाड आणि दोन पक्षी-. He got Sahitya Academy Award for this book. he is the only Film director with such laurels. Vishram Bedekar died in Pune on 30-10-1998, at the age of 92 years.

Let us now enjoy a song by composer Ganesh, sung by Asha Bhonsle from the film ” Ek nanhi munni ladki thi “-1970. This song is picturised as a telephone song on Mumtaz. Asad Bhopali is the lyricist of this song.


Song-Kahaan gaya mera sanam (Ek Nanhi Munni Ladki Thhi)(1970) Singer-Asha Bhonsle, Lyrics-Asad Bhopali, MD-Ganesh
Unknown male voice

Lyrics

hello
sun and sand
ji wo hain
wo kaun
ji wo hain
ji nahin

ho o
kahaan gaya mera sanam
kahaan gaya mera sanam
o o
o o
dil ko tanhaai tadpa rahi hai
raat guzri chali ja rahi hai
ae ae ae
kahaan gaya mera sanam
kahaan gaya mera sanam

hello
yes shaalimaar
zara unhen bulaaiye
kinko
unhinko
jinke bina neend nahin aati
neend nahin aati
nonsense

ho o
mujhe to mere sanam ke bina
neend zara na aayegi
akeli hi jaa tadapte huye
aaj sahar ho jaayegi
pyaar ka mausam
aur ye aalam
sochti hoon
karoon main kya
aa aa
ae ae
kahaan gaya mera sanam
kahaan gaya mera sanam
o o
o o
dil ko tanhaai tadpa rahi hai
raat guzri chali ja rahi hai
ae ae ae
kahaan gaya mera sanam
kahaan gaya mera sanam

hello
hotel natraj
dekhiye
wo aaye hain kya
wo kaun
yahaan bhi nahin
ho o
mahakti huyi nasheeli hawa
jhoom ke jab jab aati hai
umangon bhare jawaan dil mein
ik aag si bhadka jaati hai
dard hai doona
pehloo hai soona
sochti hoon
karoon main kya aa
ae ae
kahaan gaya mera sanam
kahaan gaya mera sanam
ho o
ho o
dil ko tanhaai tadpa rahi hai
raat guzri chali ja rahi hai
ae ae ae
kahaan gaya mera sanam
kahaan gaya mera sanam

hello
yes madam
itni raat guzar gayi
unka koi pata nahin
wrong number

ho o
kidhar kho gaya kahaan so gaya
kaun ye ab batlaayega
khabar to miley
pata to chaley
chaand mera kab aayega
aaj to saari raat hai bhaari
sochti hoon karoon main kya aa
ae ae
kahaan gaya mera sanam
kahaan gaya mera sanam
o o
o o
dil ko tanhaai tadpa rahi hai
raat gujri chali ja rahi hai
ae ae ae
kahaan gaya mera sanam
kahaan gaya mera sanam


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Do Phool” (1958) was directed by A R Kardar for Silver Wings Productions. The movie had Baby Naaz,Romi, Vijaya Chowdhary, Bipin Gupta, Ullhas, Jeevan, Pratima Devi, Rajan Haksar, Neelam, Ameer Banoo, Mumtaz Begum, Bannerji, Nasreen, Tiloo, Amir Ali, Agha, David Abraham etc in it.

Eight songs from this movie have been discussed in the past. Here is the ninth and final song from the movie.

This song is sung by Asha Bhonsle and chorus. It is picturised on Master Romi and Baby Naaz.

Hasrat Jaipuri is the lyricist. Music is composed by Vasant Desai.

Lyrics of this song were sent to me by Prakashchandra.

With this song, “Do Phool” (1958) joins the list of movies that have all their songs covered in the blog.


Song-Haaye ghabraaye re bin tere mera dil(Do Phool)(1958) Singer-Asha Bhonsle, Lyrics-Hasrat Jaipuri, MD-Vasant Desai
Chorus

Lyrics(Provided by Prakashchandra)

oo..ooo…oooo
oo..ooo…oooo
oo..ooo…oooo
oo..ooo…oooo
oo..ooo…oooo
oo..ooo…oooo

ooo ooo oooo oooooo…ooooo…oooo
aa jaa…aaa
aa jaa rey

haayye ghabraaye rey
bin tere mera mann
ab toh aa jaa aa jaa rey (oooooo)
main akelaa phiroon
laagi tori lagan (oooooo)
ab toh aa jaa aa jaa rey (oooooo)
aaaa…aaaaaaaa…..aaaaa
aaaa…..aaaaaaaa…aaaaa
aaa…..aaaaaaaaa…..aaaa
aaa…..aaaaaaaaa…..aaaa

ab roh rehti hai har dum do
ankhiyaan hamari
khoyee khoyee rey ae
kaari badri bhi thham thham ke
gham pe hamaare royee royee rey ae
laakh barsaat ho (oooooo)
phir bhi jaltaa hai mann (oooooo)
ab toh aa jaa aa jaa rey (oooooo)
haayye ghabraaye rey
bin tere mera mann
ab toh aa jaa aa jaa rey (oooooo)

aaa…aaaa…aaaaa aaa….aaaaa…aaaaa
aaa…..aaaaaa….aaaaa
aaa…aaaa…aaaaa aaa….aaaaa…aaaaa
aaa…..aaaaaa….aaaaa

main toh baadal ke sang sang
nadiyaa kinaare doloon doloon rey ae
teri gudiyaa se ro ro ke
gham ki kahaani boloon boloon rey
bujh na jaayein kahin (ooooo)
mere paagal nayan (oooooo)
ab toh aa jaa aa jaa rey (oooooo)
haayye ghabraaye rey
bin tere mera mann
ab toh aa jaa aajaa rey (oooooo)

aaa…aaaaaa….aaaaa
aaaa…aaaa….aaaaa…..aaa
aaa…aaaaaa….aaaaa
aaaa…aaaa….aaaaa…..aaa

main toh anjaan panchchi hoon
raahein na jaanoon
kaise aaoon rey ae
mere dil ki jo tadpan hai
woh main hi jaanoon
kyaa bataaoon rey
bass ke ujdaa meri (oooooo)
zindagi ka chaman (oooooo)
ab toh aa jaa aajaa rey (oooooo)
haayye ghabraaye rey
bin tere mera mann
ab toh aa jaa aajaa rey (oooooo)


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Yesterday was another day with no posts in the blog. I began a long and gruelling return journey from early hours of yesterday and arrived back this morning, some 28 hours later. I was able to connect on the internet during this journey but I spent this time catching up with the pending housekeeping works of the blog instead of trying to discuss more songs which would have resulting in postponing the housekeeping works even further.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today (17 octobr 2014) is the birth anniversary of Simi Garewal (DoB 17 october 1947). If there is one person who can be described to be an ageless wonder then it has to be her. She has not changed much in appearance for over 50 years right from the time she made her debut in Hindi movies in 1962.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

The blog has seen two dry days in a row when no new posts were made. It is something unusual for the blog but it cannot be avoided. As it is, I was travelling all these days. In fact my travel is not over yet. I have to commence my return journey from today and it will be another couple of days before I arrive back at my base.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today (13 october) is the birth anniversary of Ashok Kumar and the death anniversary of two well known artists. Kishore Kumar is one who died this day in 1987 whereas Nirupa Roy left for the heavenly abode this date on 2004.
Read more on this topic…


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Ashok Kumar or Kumudlal Kunjilal Ganguly (his birth name) would have been 103 if he had been there. Born in 1911, in Bhagalpur Bengal presidency was a laboratory assistant at Bombay Talkies when he was offered a role in 1936 in Jeevan Nayya. Thus began his six-decade long career. Of course by the time I became aware of Ashok Kumar, the actor, he was past doing hero roles and into playing a father or grand father or some such character. But to give credit where due his name would always appear first in the title cards of all these movies. Whether it was the grandpa in “Anuraag”, “Anurodh”, “Khoobsurat” or many such movies. He was very charming in the brief role of Air Force officer in “Aradhana”. He was Vijay Anand’s “Jewel Thief” as well as Brij Sadanah’s “Raja” along with Pran as “Rana” in “Victoria No: 203”. After the 1973 hit Victoria No: 203 this pair was repeated many times.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Manzil” (1979) was directed by Basu Chatterji for Ambika Pictures, Bombay. The movie had Amitabh Bachchan, Mausami Chatterji, Rakesh Pandey, Satyen Kappu, A K Hangal, Urmila Bhatt, C S Dubey, Pravin Paul, Sundar, Anwar Ali, Sushant Bhatnagar, Lalita Pawar, Shriram Laagoo (Special appearance) etc in it.
Read more on this topic…


A group of regulars of this blog met at Bangalore on 5 october 2014. Part I of this meet, viz genesis has been discussed in the past. This second part, describing the build up of the meet, is written by Raja, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

ASAD Gangout in Bangalore (5th October 2014)… Part 2 (a.k.a The Build Up)
—————————————————————————–
Once we’d decided it would be Bangalore, the next thing was to decide the specific venue and the event arrangements. In order not to bombard all Atulites with the organizing details, we decided to co-ordinate the event in a separate e-mail thread involving just the participants.
Read more on this topic…


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(© 2008 - 2014) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where "new" songs are added every day, and that has been the case for more than six years. This blog has over 10400 songs post by now.

Total number of songs discussed

10401

Number of movies (All songs covered)

552

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