Archive for the ‘Suresh Wadkar songs’ Category
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“Dil Aakhir Dil Hai”(1982) was produced by M S Gulati and directed by Esmayeel Shroff for Bunty enterprises. The movie had Rakhee Gulzar, Parveen Babi, Naseeruddin Shah, Jalal Agha, Rehman, A.K.Hangal, Dina Pathak, Dinesh Hingoo, Kishan Dhawan, Shammi,Leela Mishra, Ramesh Tewari,Asha Sharma,Lalita Kumari, Amarnath, Master Shaka, Master Salim Murad, Sailesh,Deepak Puri, Dalip Sud, Hangama, R.P.Chawla, Nirmala, Ratna, Sunder Taneja, Nikky, Jenny, Ajit Pal etc in it.
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Thhodi hansi hai to thhode aansoo
Posted on: August 5, 2015
- In: Feelings of heart | Guest posts | Kavitha Krishnamurthy Songs | Multiple version song | philosophical song | Post by Raja | Sadhna Sargam Songs | Song sung by three or more singers | Songs of 1990s (1991 to 2000) | Songs of 1994 | Suresh Wadkar songs | Udit Narayan Song | Yearwise breakup of songs
- 10 Comments
This article is written by Raja, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Today (5 august 2015)is the birthday of Kajol.
And I find myself writing a post on this blog for this occasion. 🙂
Of all the songs I’ve written about here, this has got to be the most recent. Most of the songs I post are from the 70s or earlier, with just the odd 1980s song.
And this one is of the 1990s.
But I want to post this for three reasons.
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Man ki baat jab hothon pe aane ko ho
Posted on: May 27, 2015
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Basics of Music- Part III (Raag and Thhaat)
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In part I, we introduced swars and mentioned that combination of swars constitutes melody. In part II, we introduced the concept of Rhythm (taal) and mentioned that it is the combination of melody and rhythm that makes music what it is today.
Each of the two parts were quite heavy duty stuff for people not exposed to such stuff earlier. I got some comments on part I, but hardly any for the second part, which may mean that these concepts may have been going above the heads of readers. Nevertheless, these concepts are vital and they needed to be introduced. Here is the third part of the discussion on basics of music.
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Duniya Se Door Nai Ik Duniya
Posted on: April 6, 2015
- In: Devnagri script lyrics by Avinash Scrapwala | Duet | expression of love | Feelings of heart | Guest posts | Hemlata songs | Love song | Lyrics contributed by readers | Post by Avinash Scrapwala | Songs of 1970s (1971 to 1980) | Songs of 1978 | Suresh Wadkar songs | Yearwise breakup of songs
- 2 Comments
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
#The Decade of Seventies – 1971 – 1980 #
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# Bhoole-Bisre Geet # 11 # Duet-1 Hemlata, Suresh Wadkar
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For this post I was specially looking for a ‘duet’ and I think this ‘lighthearted’ and ‘typical Ravindra Jain musical’ fits in this series of ‘seventies’ very much. This one is from the 1978 Film ‘Madhu Maalti’ sung by Suresh Wadkar and Hemlata. Listening to this song reminds us of the popular “Vrishti Pade Tapor Tupur” from the film ‘Paheli’ (1977), by same team.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
IN CUSTODY (1994) also known as MUHAFIZ was a film belonging to the parallel cinema based on Booker award nominated novel by the same name written by Anita Desai. The film was produced under the banner of Merchant Ivory Productions and was directed by Ismail Merchant. The star cast included Shashi Kapoor, Shabana Azmi, Om Puri, Sushma Seth, Neena Gupta, Tinnu Anand, Ajay Sahani, Prayag Raj, Virendra Saxena etc. The film picked up published nazms and ghazals of Faiz Ahmed Faiz for songs which were jointly composed by Ustad Zakir Hussain and Ustad Sultan Khan. I had set out in detail the story of the film while discussing ae jazba-e-dil gar main chaahoon. For the sake of the background, I will give here only a gist of the story of the film.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
It is just past midnight. It continues to be chillingly cold here in Delhi. The standoff is ongoing in the struggle with the beckoning blankets, as the mind is trying its best to continue staying at the keyboard and thwart all the enticements of a cozy quilt. So far so good.
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Karna fakeeri phir kya dilgeeri
Posted on: November 22, 2014
This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
In continuation to my post for ‘apne haathon ko pehchaan’ :
There is this bhajan/song which is more a philosophical song from 1989 movie ‘ Bade ghar ki Beti ‘.
Actually it is based on a Meera bhajan, but improvised by the lyricist Santosh Anand and composers Laxmikant-Pyarelal. Once heard never forgotten kind of song, with its simple words and simple philosophy of contentment and containment.
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Ek swarg hai aasmaan par
Posted on: October 23, 2014
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Today (23 october 2014) is the festival of deepaawali. This festival is supposed to bring joy and happiness in the lives of everyone. I can certainly vouch for that. My main computer that has been hijacked by my wife for the last few days was surprisingly available to me this morning. I wake up earlier than others on the pretext of letting the dog out and teaching the daughter. The dogs were wide awake as usual but my daughter (and wife) are not (as usual). That gave me the opportunity of sitting on my main computer and try and give finishing touch to the posts for the day.
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Baadal pe chal ke aa
Posted on: October 12, 2014
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Vijay”(1988) was produced and directed by Yash Chopra. The movie had Anupam Kher, Rajesh Khanna, Hema Malini, Rishi Kapoor, Sonam(Introducing), Anil Kapoor, Meenakshi Sheshadri, Gulshan Grover, Parikshit Sahni, Raj Babbar, Moushumi Chatterjee, Parijatha, Arjun Sablok, Saeed Jaffrey, Manmohan Krishna, Vikas Anand, Neil Nitin Mukesh as a child artiste, Shakti Kapoor, Anju Mahendru, Anant Mahadevan,Anjana Mumtaz etc in it.
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Pee le pee le
Posted on: October 3, 2014
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Today (3 october 2014) is the birthday of J P Datta. J P Datta, a chip of the old block was the son of O P Datta and he made his mark in his debut movie itself, which was “Ghulaami” (1985).
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