Archive for the ‘Guest posts’ Category
Mast qalandar damaa dam
Posted on: July 15, 2016
- In: "Johny Walker" song | Biography of actors | Biography of artists | Feelings of heart | Guest posts | Post by Arunkumar Deshmukh | Rafi songs | Shamshad Begam songs | Song sung by three or more singers | Songs of 1950s (1951 to 1960) | Songs of 1955 | Songs picturised on real life couples | Yearwise breakup of songs
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Today’s song is from the film Mast Qalandar-55. It is sung by Shamshad Begum, Rafi and Master Sonik alongwith chorus. The mukhada of the song ” Mast qalandar dama dam” is quite a misleading one, as it has nothing to do with famous Punjabi/Sindhi qawali Dama dam mast qalandar. The phrase has been used here to describe a carefree man. This seems to be a street dance, sung to entertain the onlookers.
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- In: Century post by Guest poster | Century songs for the blog | Ghazal | Guest poster century song | Guest posts | Jagjit Singh NFS | Jagjit Singh solo | Jagjit Singh songs | NFS | Post by Sadanand Kamath | Songs of 1990s (1991 to 2000) | Songs of 1995 | Translation by Sudhir | Translations by readers | Yearwise breakup of songs
- 23 Comments
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws. This is his 400th writeup in the blog
apni marzi se kahaan apne safar ke hum hain
rukh hawaaon kaa jidhar kaa hai udhar ke hum hain
-Nida Fazli
[There is no choice for us as to where we embark on the journey.
Where the direction of the wind is the place to which we belong].
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Nandlaala Gopaala
Posted on: July 12, 2016
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
DIL KI PYAAS (1935) was produced under the banner of Bharat Lakshmi Pictures and it was directed by J J Madan and Sorabji Karewala. The star cast included Jahanara Kajjan, Patient Cooper, Mukhtar Begum, Fida Hussain, Surajram, Violet Cooper, Gama etc.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Today’s song is from the film Kismat-56. It is a duet sung by Shamshad Begum and Chitragupta.
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Aha Re Magan Mera Chanchal Mann
Posted on: July 10, 2016
- In: Artist century song in blog | Blog century song | Century of movies (all songs covered) | Century songs for the blog | Dance song | Devnagri script lyrics by Sudhir | expression of love | Feelings of heart | Guest posts | Lata solo | Lata song | Lyrics contributed by readers | Post by Sudhir | Songs of 1950s (1951 to 1960) | Songs of 1960 | stage dance | Yearwise breakup of songs
- 12 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
This article is the 12200th song post in the blog.
The duration has been sliced to less than half, rather almost one third. That is, in comparison to the previous interregnum. Maybe not THE quickest but one of the quickest. Ah yes, I refer to the century milestone, the 122nd that we strike today. The reference to the duration is the time comparison between this one today, and the one that came just before it. We had hit the 12 thousand mark on 20th April. After that, it has been a real slow tread to come to the next one hundredth mark, which happened on 18th June. Counting the days, the number is 60. One of the tardiest to have occurred on this blog. But then we made it up, very sprightly and very quick – from 19th June to 10th July today. Counting the days, the number is 22. Wow, that is the bandwagon at its galloping best. The Raanchiwaala Gaanewaala is pulling out all the stops.
Congratulations to all the bandwagoneers – one more batch of a hundred songs is now added to the collection. And the musical journey continues, merrily onwards.
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- In: "Mela" song | "Taqraar" song | Asha Bhonsle songs | Dance song | Devnagri script lyrics by Sudhir | Duet | Feelings of heart | fun timepass song | Guest posts | joie de vivre | Lyrics contributed by readers | Post by Sudhir | Rafi songs | Rafi-Asha Bhonsle duet | Songs of 1960s (1961 to 1970) | Songs of 1963 | Yearwise breakup of songs
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
The strongest image that remains in the mind is that of the film director Sinha Saab, a bedraggled man in tattered garments, with ruffled grey hair and white beard, a leathery skin on face lined with wrinkles that appeared much before time – a young person who aged too rapidly for his years. With help of a walking stick, he climbs down from the shadows of the scaffolding where he has perched himself, watching the action on the floor below – the same floor where once, not too long ago, he was the ringmaster, and everyone bowed to him. Not anymore. Today, he is a ‘has been’, who lost his touch of Midas, and the same world that once clamored to him, has quickly forgotten and relegated him, literally, to the garbage heap.
With difficulty, he negotiates the narrow ladders that lead down from the scaffolding to the studio floor. Once there, he shuffles to the chair, his chair, in the days of glory; the chair with the word ‘Director’ written across its back. He sits. And then he is immobile, never to get up again, never to wake up.
When the crowd of workers return after lunch, everyone is shocked to see this grimy old man, sitting motionless in the director’s chair. Everyone is known to him, but today no one recognizes him, now that he is gone. None, save one light-boy, who remembers and recognizes his earliest benefactor – Sinha Saab.
The power of these images and these sequences now have a cult following, not only in India but worldwide. Remembering Guru Dutt on his seventy seventh anniversary. (9th July)
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- In: "Aankh" song | "film Shooting" song | Biography of actors | Biography of artists | Devnagri script lyrics by Sudhir | Duet | Feelings of heart | Guest posts | Lyrics contributed by readers | Post by Sudhir | Rafi songs | Rafi Usha Mangeshkar duet | Songs of 1970s (1971 to 1980) | Songs of 1975 | Usha Mangeshkar songs | Yearwise breakup of songs
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Mohammed Rafi – ‘अ’ से ‘ह’ तक (From ‘अ’ to ‘ह’) – 19
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‘ठ’
“ठुमक ठुमक चले चाल आँख में काजल की डोरी”
With humble beginnings as a child ‘extra’, way back in 1951, the story of Jagdeep’s career is an interesting discourse. He made his debut appearance as an extra child actor in BR Chopra’s ‘Afsaana’ (1951). His comic propensities became visible in another small role as a child actor in Bimal Roy’s ‘Do Beegha Zameen’. Then on to more noticeable child roles – ‘Laila Majnu’ (1953), the younger Kaif, playing the child version of Shammi Kapoor; ‘Footpath’ (1953), a young street smart pickpocket; the role of Elaichi in Guru Dutt’s ‘Aar Paar’ (1954); the child clown in ‘Munna’ (1954); the young Kishore Kumar in ‘Dhobi Doctor’ (1954); and ‘Railway Platform’ (1955), ‘Mr & Mrs 55’ (1955), ‘Kismet Ke Khel’ (1956), ‘Dhaake Ki Malmal’ (1956), and more. Then comes 1957 and two important films – ‘Ab Dilli Door Nahin’ and ‘Hum Panchhi Ek Daal Ke’. Still the child actor, but gaining recognition with every role. The child actors’ team in ‘Hum Panchhi Ek Daal Ke’ was recognized and awarded by Pt Jawahar Lal Nehru.
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Is mulaaqaat ka bas mazaa leejiye
Posted on: July 9, 2016
- In: "disguise" song | "Villain's" den song | Dev Anand songs | Dev Anand songs by Rafi | Devnagri script lyrics by Avinash Scrapwala | Guest posts | Hemlata songs | Lyrics contributed by readers | Mukesh songs | Post by Avinash Scrapwala | Post by Pradeep Raghunathan | qawwali | Rafi songs | Regulars meet at Chennai | Song sung by three or more singers | Songs of 1970s (1971 to 1980) | Songs of 1976 | Yearwise breakup of songs
- 7 Comments
This article is written by Avinash Scrapwala and Pradeep Raghunathan, fellow enthusiasts of Hindi movie music and contributors to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Avinash Scrapwala’s writeup
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#the Decade of Seventies – 1971 – 1980 #
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# Bhoole-Bisre Geet # 40 # Qawwalis – 4#
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#Chennai Gang Out #1
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As mentioned in my previous post I had to travel in the East for some official work as a part of some strategic planning at my work place.
And at that time i.e. around second/third week of May, there was a discussion at my work place, that I could also be deputed for some official work at Chennai in near future.
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Tez hawaayen toofaani dariya
Posted on: July 9, 2016
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Today’s song is from film Dahej-50, a melodramatic film from V.Shantaram. The song is sung by Jayashree Shantaram.
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Kitni Baar Miley Tum Mujh Se
Posted on: July 8, 2016
- In: Devnagri script lyrics by Sudhir | expression of love | Feelings of heart | Guest posts | Lyrics contributed by readers | NFS | Post by Bharat Upadhyay | Songs of 1960s (1961 to 1970) | Songs of 1970 | Suman Kalyanpur NFS | Suman Kalyanpur solo | Suman Kalyanpur songs | Yearwise breakup of songs
- 1 Comment
This article is written by Bharat Upadhyay, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Sureeli Suman – 14
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Music Director Shyam Sharma, a regular employee with HMV (later on, RPG) had in 1970 recorded an Album named “Swar Bahar” that had ten melodious devotional and love-songs by Suman Kalyanpur (aka Suman Hemadey, her maiden name). Seven out of these ten have now been covered in this wonderful singing blog. This one is the eighth jewel from that Album. Some songs which were not Meera Bhajans were love songs written by Anjaan and Yogesh. This one is written by Yogesh.
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