Archive for the ‘Yearwise breakup of songs’ Category
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Troika of the latest century singers – Mukesh, Rafi and Kishore – 1. Mukesh
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Sometime in the middle of April 2015, I had sent two write-ups to Atul ji and coincidentally, both these write-ups were on the songs sung by Mukesh. Atul ji sent me a reply saying that for the time being, he was avoiding posting songs of Mukesh as also of Rafi who are on their way to hitting centuries of their songs in the Blog. So he reckoned that my write ups on Mukesh’s songs may have to be held back for a few days. It was apparent that articles for the special events had already been planned.
A click on ‘Some stats’ page of the Blog revealed that while Mukesh was close to attaining his 700th song, Mohammed Rafi was only one short of his 2400th song in the Blog. A further glance on this page revealed that Kishore Kumar too was also very close to hitting his 900th song. So it was rare ‘celestial’ event like that of conjunction of planets Jupiter, Venus and Mars in the triangle shape which is expected on October 28, 2015. And all the three playback singers are nothing less than celestial stars along with Talat Mehmood and Manna Dey. There was an inner urge in me to pay tributes to the troika of playback singers on this unique conjunction of century songs. A thought tickled in my mind. What if I was to select special songs for the troika of playback singers on the occasion?
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Listen to the pouring rain
Posted on: May 10, 2015
- In: Amitabh Bachchan present (without lip syncing) | Amitabh Bachchan songs | Artist century song in blog | Century songs for the blog | Club song | English song | Guest posts | Post by Pamir Harvey | Post by Raja | Songs of 1970s (1971 to 1980) | Songs of 1972 | Yearwise breakup of songs
- 9 Comments
This article is written by Raja and Pamir Harvey, fellow enthusiasts of Hindi movie music and contributors to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Raja’s article
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Whenever this blog reaches a milestone of sorts, we , readers and contributors of this blog, feel a sense of tremendous elation.
It doesn’t matter whether it is a blog post count, or an artist post count. The milestone has been reached, song post by song post. And that means, the audio/video of the song, its full lyrics, its various tags – and a write-up. All of this constitutes ONE song post on this blog. And all of us recognize how fulfilling it is, when we have all these components in place.
And that is why, it is the JOURNEY that we celebrate, as much as the milestone itself. To borrow from a famous song of yesteryear, “raah bani khud manzil…”. 🙂
Today, it gives me great pleasure to announce that we have an opportunity to celebrate yet another milestone on this blog. This one relates to an artist who not only revolutionized Hindi film music, he not only won millions of hearts with his compositions during his time, but seems to have only gained in popularity since his death over 20 years ago.
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Maut Tu Ek Kavita Hai
Posted on: May 8, 2015
- In: Amitabh Bachchan singing for himself | Amitabh Bachchan songs | Devnagri script lyrics by Sudhir | Guest posts | Lyrics contributed by readers | philosophical song | poetry based song | Post by Sudhir | Rajesh Khanna present (without lip syncing) | Rajesh Khanna songs | Songs of 1960s (1961 to 1970) | Songs of 1970 | Translation by Sudhir | Translations by readers | Yearwise breakup of songs
- 2 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
When ‘Anand’ was released in theatres in 1970, I was still in school. I remember I did not get a chance to see this film on the big screen in the first run. It would be later re runs that I got to see this film. Being still not very involved with cinema and music, the best fare for us used to be what we could see on Doordarshan. Rather, whatever was telecast on Doordarshan was always the quality stuff in my mind. So having watched films like ‘Sikander’ (1941) and ‘Roti’ (1942) and ’Baazi’ (1951) on TV, the micro mind of mine carried them as benchmarks and anything that we would see on posters and billboards going to and from school, would be just so so. I remember, when we came to know about this film ‘Anand’, the names Rajesh Khanna and Amitabh Bachchan did not mean much to us. Rajesh Khanna, to some extent, as we had all heard the “Mere Sapnon Ki Raani Kab Aayegi Tu” that became popular the year earlier.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
The last time I discussed my dogs was in february 2013, which was more than two years ago. My dogs were two years old at that time. Now they are four years old. So they have become twice as old as they were at that time.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Last year, I had presented a pair of hamradeef ghazals of Jigar Moradabadi and Mirza Ghalib wo jo rootheen to manaana chaahiye sung by Mukesh and Talat Mehmood, respectively as a duet making them into one combined ghazal. The main features of hamradeef ghazals are that they have the same ‘qaafiya’ (rhythmic patterns), the same ‘baher’ (meter) and the same radeef (the last word in the second line of each she’r).
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Fabulous Foot Tappers – 3
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A name that deserves to be known better, and honored better. The repertoire of his songs makes one wonder – he should be named in the top ranking lyricists. But that is not the case. He had an intrinsic verve of the verse, he had a passion for nationalism and he had trained in classical music under the renowned Pt Ravi Shankar – a combination that evoked such inspired poetry
tere daaman se jo aayen
un hawaaon ko salaam
choom loon main us zubaan ko
jis pe aaye tera naam
ae mere pyaare watan
ae mere bichhde chaman
tujh pe dil qurbaan
Remembering Prem Dhawan on the anniversary of his passing away today (7th May).
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Beet gaya din raah takat man haara
Posted on: May 6, 2015
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
VINTAGE SHAMSHAD BEGUM….Song No. 3
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Today’s song is from film Namumkin-46. It is a duet of Shamshad Begum and K.S.Ragi.
We are accustomed to see only the usual regular well known names, but when some new or unknown name appears, our brows are raised and we wonder who this singer is. Same thoughts came to my mind when I first came across his name few years back. One would immediately think of the singers in a Gurudwara, who are also called Raagis. I tried and tried very hard, but except that he hailed from Andhra pradesh, I could not get any other information on him. Then one fine morning K S Ragi’s daughter appeared on RMIM forum and gave some more information. Though even this was very meagre, still at least something was there.
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Tohar Naam Laike Chhoda Hai Zamaana
Posted on: May 6, 2015
- In: "Diversion" song | "Helen" song | Dance song | Devnagri script lyrics by Sudhir | Duet | Feelings of heart | Guest posts | Lata song | Lata-Usha Mangeshkar duet | Lyrics contributed by readers | Post by Sudhir | Songs of 1960s (1961 to 1970) | Songs of 1964 | Usha Mangeshkar songs | Yearwise breakup of songs
- 6 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Songs to Tickle Your Memory – 19
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There is a film from 1969 – ‘Tumse Achhaa Kaun Hai”. This film has a classic song, Rafi Sb singing for Shammi Kapoor, that has not yet made it to this blog. (Yes, I am surprised too 🙂 ). The mukhdaa of the song is an animated yet a resigned expression of helplessness – so many ladies to be loved, whom should I love – “Kis Ko Pyaar Karoon, Kaise Pyaar Karoon”. The situation is not too different, when I am trying to select a song for posting here. Atul ji mentions a specific requirement, and as I sit down to choose a song according to that, I find myself in the same quandary – “Kis Ko Post Karoon, Kaise Post Karoon – Ye Bhi Hai, Wo Bhi Hai. . .”.
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