Archive for the ‘Street singing’ Category
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5298 | Post No. : | 17350 |
Today’s song is from the film “Hum bhi kuchh kam nahin” -1958.
The film, as per its story belongs to a Costume and imaginary genre, but HFGK mentions it as a ” Social ” film. I wonder why ? The cast of the film consisted of Ameeta, Ranjan, Sumitra, P. Kailash, Kanu Roy, Majnu, Ram Avtar, Manju and others. The 7 songs of this film were written by Anand Bakshi, Rahil Gorakhpuri, Kaif Irfani and Sharki Bhopali. The lyricist Rahil Gorakhpuri wrote 30 songs in 12 films from Sun to le haseena-58 to Aaja Sanam-75. In addition, as Anwar in the pair Javed-Anwar, he wrote songs in 8 films. Javed in this pair was Manohar Lal Khanna – father of Composer Usha Khanna. The Music Director for today’s film was S.D.Batish. The film was directed by Raman Desai.
Now, this name Raman Desai is a strong case of ” Same Name Confusion”, because there was another Hindi film Director Raman Desai operating during the same period. Their fathers’ names were different but never mentioned anywhere. Sometimes Raman Desai of today’s film was mentioned as Raman Lal Desai in the film credits-like this film. With this small clue, I found out information about these two film directors to differentiate them from each others. Here we go….
RAMAN (Lalbhai) DESAI
Ramanlal Lalbhai Desai was born on 6-9-1915 at Ahmedabad ( some sources indicate different year and place). His father was a Station master in the BBCI Railway ( Bombay-Baroda and Central India Railway). He was educated in Bombay and he studied up to Inter-Arts. He soon left his studies to work as an assistant cameraman and assistant Director, in Paramount Pictures for Thief of Baghdad-34. In 1935 he shifted to Ganesh Movietone but came back to Paramount. He was assistant director in Fairy of the flute-36, Guru Ghantal-37 ,Black ghost-37, Burqawali-36, Aladdin-33, Vagabond lover-38, Madhur bansari-39 etc. He co-directed films like Patriot-37, Darpan-41 and Mere Saajan-41, in Rex Pictures. He was a good editor and a musician.
He became a full fledged Director with Daughter of the jungle-42, Mohabbat ki jeet-43, Circus girl-43, Bhagata Bhoot-43, Rangila Dost-44, Aadhar-45, Qismat ka Dhani-46, Jadui putali-46, Tiger man-47, Naqli Heera-48, Dhanwale-48, Dilwale-48, Roshni-49,Sangeeta-50, Aab e Hayaat-55, Hum bhi kuch kam nahin -58, Minister-59 and Jalim tera jawab nahin-60. He turned to Gujarati films and directed Sole saaj singar-77 and Kul deepak-78.
He was working as a Production supervisor for the film Nastik-54 (credited).
(Thanks to Shri. Harish Raghuwanshi ji for some info used here along with my notes).
RAMAN (Bhimbhai) DESAI
Raman B Desai was born in Bilimora, Gujarat, on 28-4-1918. At the age of 20 years, he joined Wadia Movietone as an assistant Director. He assisted Director Chaturbhuj Doshi for quite some time.
He became an independent Director with Pehli Pehchan in 1947. Then came Narad Muni-49, Raja Harishchandra-52, Hari Darshan-53, Naag Panchami-53, Chakradhari-54, Rajyogi Bharthari-54, Navaratri-55, Waman Avatar-55, Ram Navami-56, Naag Mani-57, Chandi Pooja-57, Grihalaxmi-59 (he also produced it) and Amar jyoti-1965. He also directed 6 Gujarati films. Due to his expertise in religious films, he was known as ” King of Mythological Films”.
Raman B Desai expired on 22-12-1997. ( He should not be mistaken for another director Raman Lal Desai, who operated in the same period and directed films like Aab-e-Hayaat-55 and Sangeeta-50 etc).
The name KANU ROY in today’s film cast is another instance of ” Same name confusion “. There was a composer (and an actor also) by the name Kanu Roy who gave music in a few films. Most people and many internet sites, including IMDB, consider these two different persons as one and claim films for acting and music together, as if he was an actor and a composer – a Two In One person !
In Hindi films this happened routinely, but in the early era of Talkie films. Master Krishna rao, Vinayak rao Patwardhan, Master Mohammed, Badriprashad, Vithaldas Panchotiya etc can be quoted as actor/composers. Lately, only the name of Kishore Kumar comes to mind in this category, off hand. Let us see who these two Kanu Roys were…
Kanu Roy (the Actor) was in reality a name for Nalini Ranjan Roy, born at Jabalpore. He was very fond of acting and so landed at Bombay Talkies,a company started by 2 Benagalese- Himanshu Roy and Devika Rani. Those days many people from Bengal used to come to Bombay Talkies, but only the capable ones like Amiya Chakravarty, Shashadhar Mukherjee or Ashok Kumar etc could make their careers here. Kanu Roy started his acting career with the film Basant-1942. His name Nalini was sounding like a Girl’s name in Bombay ( there were already a dozen Nalinis working in films those days), so it was changed and he opted for Kanu, his pet name in the house. Thus Kanu Roy came into films. Due to his good looks, he even became a lead actor in a few films. Nazrana-46 (UR) was one such film where he was working opposite Kamini Kaushal. Kanu Roy worked in 46 films from 42 to 83 ( kisi se naa kehna). Kanu Roy also left Bombay Talkies along with S.Mukherjee and others and joined Filmistan. He was in many Filmistan films like, Mahal, Munim ji, Nastik, Naagin, Jagriti etc. He acted in a Bangla film ‘Samar’too in 1950.
The other Kanu Roy (MD) was an extremely talented music composer of Bengali and Hindi cinema during 1960s and 1970s.. An unsung hero of Indian cinema, despite giving some wonderful songs to Geeta Dutt and Manna Dey, he got very little opportunities in Hindi cinema. He composed songs for Basu Battacharya’s introspective trilogy on marital discord in an urban setting, ‘Anubhav’, ‘Avishkar’ and ‘Griha Pravesh’ in the 1970s, and best remembered for giving the last but finest songs to Geeta Dutt – Meri Jaan Mujhe Jaan Na Kaho, Koi Chupke Se Aake and Mera Dil Jo Mera Hota. Ironically she died 6 months after she made a comeback to playback singing for the last time.
Kanu Roy hailed from West Bengal. He was born on 9th December 1912, in a poor family in the outskirts of Kolkata. During his early days he worked as a welder at Howrah Bridge, engaged in repairing work of the bridge. He worked as an assistant to Salil Chowdhury during his early days. As a full-fledged music composer, Basu Battacharya introduced him to Hindi cinema through Uski Kahani in 1966. He gave some of the finest songs to Geeta Dutt such as three songs of Anubhav (her last and final recordings), Aaj Ki Kali Ghata of Uski Kahani etc. He also composed music for Shyamla, which was recensored as Woh phir na aayee in 1981. ‘Geeton Ki Duniya Mein Sargam’ and ‘Khali Pyala Dhundla Darpan’ of Sparsh, ‘Hasne Ki Chaah’ of Aavishkar and ‘Boliye Surilee Boliyan’ of Grihapravesh are memorable songs of Kanu Roy. He gave music to only 8 films, namely Uski kahani-66, Anubhav-71, Avishkar-74, umhara kallu-75, Mayuri-75, Shyamala-79, Griha Pravesh-79 and Sparsh-1980.
He passed away on December 20, 1981, aged 69. . A less-known but extremely talented music director, very little data is available about him on net, In his colleague Gulzar’s words he was a simple person with a humming song always on his lips, and that he never quarreled or mingled with others. Some people and sites describe him as Geeta Dutt’s brother, but he was not her brother. Her brother was Mukul Roy.
HUM BHI KUCHH KAM NAHEEN-1958 was a typical B grade film specially made for the front benchers. As these types of films go, it had a story of king, vazir, a rebel, a princess, a joker, stunt fight, few good songs and lot of big animals like,Horses,Elephants tigers etc.
The hero was Ranjan(Ramnarayan Venkatramana Sarma, born in Madras in 1918 and died in USA in 1983) whose name spelt lot of Sword fighting(in real life too Ranjan was an expert Sword fighter).His name guaranteed lot of fighting,stunts and duet songs around trees.In this film also all this was present.
The story, s/play and dialogues were by Ramprakash Ashk.The music was by S.D.Batish who started his singing career in 1944 and Composer career in 1948 with Chupke chupke.Then came Balma, Patjhad, Khush Raho, Bahu beti, betaab, Amar kirtan, Rooprekha, Haar jeet, Toofan, Deewar, Ek arman mera, Saajish, Tipu sultan, Jalim tera jawab nahin, etc. He gave music as Nirmal Kumar in Lal Nishan and Nakhrewali also.
Batish who shifted to UK in 1964,moved to Santacruz,California-USA,in 1970 till he died there in 2006.(He used to say,’ I shifted from Santacruz,Bombay to Santacruz USA’).
Usman(Ranjan) and Mamubhai(Majnu) were fast friends.Usman was a young manwho did nothing, Mamu was King’s employee.Yar Khan(P.Kailash) the evil and crook Vazir of the king was waiting for a chance to usurp the throne.He kidnapped Zubeida(Manju),sister of Usman and took her to his palace where she commits a suicide.Now Usman wants his revenge.
Princess Zarina(Ameeta) is returning from her hunting trip.She is attacked by Yarkhan’s goons,but Usman saves her.They dutifully fall in love and she promises to help him.When the y reach the palace Usman is attacked by Yar khan’s soldiers but is saved by Zarina.There is Salma(Sumitra) court dancer,who also loves Usman and promises her help.
Finally Yar khan, croockedly captures both Usman and the King and blackmails Zarina to marry him or else……
Salma,Mamubhai and other loyalists rescue Usman.There is a terrific Sword fighting(obviously to use Ranjan’s skills) in which Yar khan is killed by Usman.The king returns with a bandbaja and Usman gets the job of Vazir and princess Zarina as his salary.
Today’s song is sung by Rafi and Asha Bhosle and obviously is a Road Show song. Enjoy….
Song-Jaadoogarni Cheen ki khaala Alladin ki (Ham Bhi Kuchh Kam Nahin)(1958) Singers-Rafi, Asha Bhonsle, Lyrics-Kaif Irfani, MD-S D Batish
Chorus
Lyrics
hey ae ae
tadak tadak tak tikdaak tikdam saasha
aaya qalandar dekh tamaasha
tod ke patthar kar doon bataasha
rakh doon jalaakar kabr se laashaan
aaya qalandar dekh tamaasha
tamaasha
tamaasha
dekh tamaasha
chiklaye chikbak
chonch kalaaram
chakbak chakbak
chaksa jaa
chiklaye chikbak
chonch kalaaram
chakbak chakbak
chaksa jaa
hey
chiklaye chikbak
chonch kalaaram
chakbak chakbak
chaksa jaa
hey hey
waah waah waah waah
jaadoogarni cheen ki
khaala Alladin ki
jaadoogarni cheen ki
khaala Alladin ki
abba mera jaapani qalandar
amma filistine ki
jaadoogarni cheen ki
khaala Alladin ki eeee
mere jaadoo ki chakri
kar de duniya ko chakram
saari safaai haath ki hai
yaani ghaple ka ghaplam
dekh na pahle kartab logon
phir naqdi ka naqdon
main na maanoon
main na maanoon
kuchh karke dikha
hey hey
chiklaye chikbak
chonch kalaaram
chakbak chakbak
chaksa jaa
dekh ??
laga ke chashma
baat nahin yaqeen ki
waah waah waah waah
jaadoogarni cheen ki
khaala Alladin ki
jaadoogarni cheen ki
khaala Alladin ki
haath mein rakhhoon
kha ke tambaaku
munh se nikaaloon chaakoo
dekh ke jisko kaan pakad le
chor lutere daakoo
vaar karoon to dum ko dabaa kar
bhaage Khan Halaaku
main na maanoon
main na maanoon
kuchh karke dikha
hey hey
chiklaye chikbak
chonch kalaaram
chakbak chakbak
chaksa jaa
dekh ke ??
laga ke chashma
baat nahin yaqeen ki
waah waah waah waah
jaadoogarni cheen ki
khaala Alladin ki
jaadoogarni cheen ki
khaala Alladin ki
ae beta jamoora
ek baar mein gat kar jaaoon
kar ke aag ko paani
bina piye daaru ??
ho jaaun mastaani
phir dekh bechaaram jaani mera
naach Balochistani
main na maanoon
main na maanoon
kuchh karke dikha
hey hey
chiklaye chikbak
chonch kalaaram
chakbak chakbak
chaksa jaa
dekh ke ??
laga ke chashma
baat nahin yaqeen ki
waah waah
waah waah waah waah waah
jaadoogarni cheen ki
khaala Alladin ki
jaadoogarni cheen ki
Tu meri zindagi hai
Posted on: September 21, 2020
This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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4448 | Post No. : | 15904 |
20th September was the birthday of Mahesh Bhatt. I knew there are numerous films with very good significant song in them produced and directed by Mahesh Bhatt which are not posted and some of these movies are yet to make an appearance in the blog. But it sometimes happens that what is easily available and do-able, never gets done and I neglected a few post, like the post for Hasrat Jaipuri during last week. Peevesie’s mom post of the Hinglish song from “Ham hain raahi pyaar ke” has encouraged me to do a post for this day.
This song from “Aashiqui” (1990) has a very appealing presence in the “Chitrahaar” made by Mahesh Bhatt. I have liked the songs of this film, as do many people of my generation. The only song from this film posted so far is here. In this post a lot about the film and the music is written.
For some months now, the link and lyrics are waiting in drafts for writing a post. The song is ‘Tu…… meri zindagi hai, tu…… meri har khushi hai”. Singer is the dependable Kumar Sanu. The lyrics are credited to Sameer and music to Nadeem-Shrawan”. But there is a catch here: see what I have found in the trivia about this song.
“This song was an adaptation of a Pakistani film song with the same mukhda from the film “Mohabbat Mar NahinSakti” (1977). The original song was composed by Nashad. While lyricist Sameer used the same mukhda as Tasleem Fazli’s original, the antara had different lyrics. The original song had two solo versions sung by Mehdi Hassan and Noor Jehan.”
I had years ago heard a Pakistani song of the same tune and mukhdaa on youtube, by a singer recording for PTV, while looking for this song from Aashiqui. But this information in the trivia is news to me. So I looked up the Noorjehan song and found both audio and video clips :
Audio by Noor jahaan
Video of film song.
The video of Mehdi Hasan version is also available :
Video of Mehdi hasan song
Audio version
Today 21 september is the 94th birth anniversary of Madam Noorjahan, and I find it fitting to give the lyrics of the song from the film “Mohabbat mar nahi sakti”(1977), sung by Noorjahan. The composer is Nashad, who might be the same one who features in the blog with many compositions in the 50’s decade.
Lyrics :
Tu uu uu uu
meri zindagi hai
tuuu
meri har khushi hai
tu hi pyaar tu hi chaahat
tu hi bandagi hai
Tu……
meri zindagi haijab tak na dekhoon tujhe
sooraj na nikle ae
jab tak na dekhoon tujhe
sooraj na nikle ae
zulfon ke saaye saaye
maahtaab ubhre
tu hi meraa hosh saathhi
tu hi bekhudi hai
Tuuuuu
meri zindagi hai
tuuu
meri har khushi hai
tu hi pyaar tu hi chaahat
tu hi bandagi hai
Tuuuuu
meri zindagi haimere labon pe tere
naghme milenge ae
mere labon pe tere
naghme milenge ae
aankhon mein saathhi tere
jazbe milenge ae
mere dil mein tu hi tu hai
teri raushni hai ae
Tuuuuu
meri zindagi haichhod ke duniyaa tujh ko
apnaa banaa loon
chhod ke duniyaa tujhko
apnaa banaa loon
sab se chhupaa ke tujhko o o
dil mein basaa loon
tu hi meri pehli khwaahish
tu hi aakhri hai ae ae
Tuuuuu
meri zindagi hai
So the song presented here is the second song from the film ‘Aashiqui’(1990). This is an indian adaptation of the song original sung by the two legends of across the border. Noor jahan and Mehdi Hasan were stalwarts of their style of singing and Kumar Sanu, singing the indian version was a Kishore Kumar clone, trying to make a name for himself back in 1990. So we will be kind and not make comparisons among unequal creations of the Almighty, whom he may have blessed differently.
But honestly, Kumar Sanu is not doing bad at all. Kumar Sanu’s birthday is also round the corner, on 23rd September. So we celebrate it a bit in advance with this remarkable song.
Video :
Full Audio :
Song-Tu meri zindagi hai (Aashiqui)(1990) Singers-Kumar Sanu, Anuradha Paudwal, Lyrics-Sameer, MD-Nadeem Shrawan
Lyrics(Based on Audio version)
Tu u u u
u u
meri zindagi hai ae
tu u u u
meri har khushi hai ae ae
Tu u u
meri zindagi hai ae
tu u u
meri har khushi hai ae ae
tu hi pyaar
tu hi chaahat
tu hi aashiqui hai ae ae
Tu u u u
meri zindagi hai
tu u u u
meri har khushi hai
pehli mohabbat ka
ehsaas hai ae tu u u
pehli mohabbat ka
ehsaas hai ae tu
bujh ke jo bujh na paayi ee ee
wo pyaas hai tu u u
tu hi meri pehli khwaahish
tu hi aakhri hai ae ae
Tu u u u
meri zindagi hai ae ae
tu u u
meri har khushi hai ae ae
o o o o
o o o
aa aa aa aa
aa aa aa aa
o o o
Tu u u
meri zindagi hai
tu u u
meri har khushi hai
tu hi pyaar
tu hi chaahat
tu hi aashiqui hai
Tu u u
meri zindagi hai
tu u u
meri har khushi hai
hmm hmhm hmm
hmm hmm hmm hmm
har zakhm dil ka tujhe
dil se du’aa de ae
har zakhm dil ka tujhe
dil se du’aa de
khushiyaan tujhe gham saare ae
mujh ko khudaa de ae
tujhko bhulaa na paaya aa
meri bebasi ee hai ae
Tu u u
meri zindagi hai ae ae
tu u u
meri har khushi hai
o o o o
o o o
aa aa aa aa
aa aa aa aa
o o o
Tu u u
meri zindagi hai
tu u u
meri har khushi hai
tu hi pyaar
tu hi chaahat
tu hi aashiqui hai
Tu u u
meri zindagi hai
tu u u u u
meri har khushi hai
hmm m m
hm hmm hmm
hmm hmm
hmm hmm hmm hmm
- In: Devnagri script lyrics by Sudhir | Free Spirit Song | fun timepass song | Guest posts | Honky Tonk song for the blog | Lyrics by Prakashchandra | Lyrics contributed by readers | Motorbike song | One singer singing for two actors | Post by Peevesie's mom | RD Burman song as a singer | Songs of 1970s (1971 to 1980) | Songs of 1978 | Street singing | Yearwise breakup of songs
- 3 Comments
This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4031 | Post No. : | 15151 |
August 1st
Important for me, used to be my mom’s birthday. Thinking of her has only reinforced my feelings that the song with this post convey. She was one lively person who smiled through her illness and never let us know how much pain she was going through. She was always ready to accompany my dad on whatever tour he chose to organise. And I am sure they enjoyed every bit of their time and life together. That is the exact feeling that today’s song speaks of.
“Live life as if there are no tomorrows” – Kal Kya Hoga Kis Ko Pata, Abhi Zindagi Ka Le Lo Mazaa.
August 1st also happens to be the birth anniversaries of Meena Kumari and Bhagwan Dada. Meena Kumari, born Mahjabeen Bano, would have been 86 and Bhagwan Dada, born Bhagwan Abhaji Palav, would have been 103.
Both the actors had their share of fame and were lead actors in many movies. Master Bhagwan, as Bhagwan Dada used to be known in the early years, started his career in the era of silent films. And Meena Kumari stepped into films as a child artist sometimes in the early 1940s. They were part of a few movies together where Meena Kumari was the heroine and Bhagwan lead the comic side plot for example ‘Bandish’ (1955), ‘Main Bhi Ladki Hoon’ (1964} etc.
They had successful careers through the 1960s. We lost Meena Kumari in the beginning of the 70s but Bhagwan Dada was still there and I remember seeing him in many movies doing his signature step dance. In the initial stages of my movie watching I was unaware that he was such a huge star of his times. I always saw him as a side-kick or a dancer who was given prominence in various group dance numbers. Much later I happened to see his songs of ‘Albela’ and I realized that he was being copied by the actors of the 70s – HE was their inspiration. After associating with this blog, I read about his life and times and felt sad that what went up had to go down too. Probably he too subscribed to the thoughts of today’s song and lived in his “todays as if there were no tomorrows”.
Rose Movies’ ‘Kasme Vaade’ (1978) was produced and directed by Ramesh Behl. It had Rakhee, Neetu Singh, Amitabh Bachchan, Randhir Kapoor in the main lead with Rekha in a guest appearance and Amjad Khan in special appearance. Master Bhagwan (Dada) was there for one song at the start of the film. That song was meant to show the happy-go-lucky character of Randhir Kapoor. We find RK on a night out with his cronies, running amok in the streets doing wheelies etc. (it is obvious that all the motor bike stunts are by a body double) and that is the situation for today’s song.
I had always wanted to present this song on the blog to highlight Bhagwan Dada’s steps and dancing. Finally, here it is.
Video
Audio
Song – Praani Bhatak Raha Hai Ban Ban Mein. . . Kal Kya Hoga Kisko Pata (Kasme Vaade) (1978) Singer – RD Burman, Lyrics – Gulshan Baawra, MD – RD Burman
Male Voice
Chorus
Lyrics (Provided by Prakashchandra)
aa..aayen
praa..aani. . .
bhatak rahaa
ban ban mein. . .
aah haaa
waah bhai waah
ye nahi jaane
paagal pre..ae..ae..ae..mi
rabb hai
uske..ae..ae..ae mann mein
arre isi liye to keh gaye hain
jati sati
karmi gati
aaye
miley jo sang pisach ka
sada miley
buri mati
buri mati
but where is bhaanumati?
ha ha ha ha
bhanumati?
arrey bhanumati ne qunba joda
bhanumati ne qunba joda
aaye haaye eent yahan ki wahaan ko roda
eent yahan ki wahaan ko roda
arre phir se gao
bhanumati ne qunba joda
(hoooo oooooo)
eent yahan ki wahaan ko roda
(hoooo oooooo)
bhanumati ne qunba joda
(hoooo oooooo)
eent yahan ki wahaan ko roda
(hoooo oooooo)
arrr ram paa
arrr ram paa
arrr ram paa
arrr ram paa
he he he he
he he hehe
la laa laa laa laa
laa la laa la laa
la laa laa laa laa
laa la laa la laa
la laa laa laa laa
laa la laa la laa
kal kya hoga kis ko pata
abhi zindagi ka le lo mazaa
kal kya hoga kis ko pata
abhi zindagi ka le lo mazaa
kal kya hoga kis ko pata
abhi zindagi ka le lo mazaa
kal kya hoga kis ko pata
abhi zindagi ka le lo mazaa
hey
dil waalo
duniya ki aisi taisi. . .
har pal
apna hai
din kaisa raat kaisi
oo hoooo hooo
hhooooo hoooo
hhooooo hoooo
hhooooo hoooo
hey
hey
aish karo
aish karo
nacho gao khao piyo
nacho gao khao piyo.
hey
hey
arre jeena hai to
jeena hai to
masti mein reh ke jiyo
masti mein reh ke jiyo
arrr ram paa
arrr ram paa
arrr ram paa
arrr ram paa
he he he he
he he hehe
la laa laa laa laa
laa la laa la laa
kal kya hoga kis ko pata
abhi zindagi ka le lo mazaa
kal kya hoga kis ko pata
abhi zindagi ka le lo mazaa
kal kya hoga kis ko pata
abhi zindagi ka le lo mazaa
hey hey hey
hum jahaan
halla gulla hoga wahin
hum se ye
duniya hai
duniya se hum nahi
pak pakau pakau pakau pakau
pak pakau pakau pakau pakau
hey hey hoo haa
hey hey hey hey
hey hey hoo haa
hey ae ae ae
hey
hey
jab tak
jab tak
dum mein hai dum pyaare
dum mein hai dum pyaare
hey
hey
tab tak
tab tak
kahe ka hai gum pyaare
kaahe ka hai gum pyaare
arrr ram paa
arrr ram paa
arrr ram paa
arrr ram paa
he he he he
he he hehe
la laa laa laa laa
laa la laa la laa
kal kya hoga kis ko pata
abhi zindagi ka le lo mazaa
kal kya hoga kis ko pata
abhi zindagi ka le lo mazaa
kal kya hoga kis ko pata
abhi zindagi ka le lo mazaa
kal kya hoga
kis ko pata
abhi zindagi ka
le lo mazaa
——————————————
Hindi script lyrics (Provided by Sudhir)
——————————————
आ॰॰आ॰॰आयें
प्रा॰॰आणि॰ ॰ ॰
भटक रहा
बन बन में॰ ॰ ॰
आह हा
वाह भई वाह
ये नहीं जाने
पागल प्रे॰॰ए॰॰ए॰॰ए॰॰मी
रब्ब है
उसके॰॰ए॰॰ए॰॰ए॰॰ मन में
अरे इसी लिए तो कह गए हैं
जति सती
करमी गति
आय
मिले जो संग पिशाच का
सदा मिले
बुरी मति
बुरी मति
बट व्हेर इज़ बहनुमती?
हा हा हा हा
बहनुमती?
अरे भानुमती ने कुनबा जोड़ा
भानुमती ने कुनबा जोड़ा
आय हाय ईंट यहाँ की वहाँ का रोड़ा
ईंट यहाँ की वहाँ का रोड़ा
अरे फिर से गाओ
भानुमती ने कुनबा जोड़ा
(हो॰ ॰ ॰ ओ॰ ॰ ॰)
ईंट यहाँ की वहाँ का रोड़ा
(हो॰ ॰ ॰ ओ॰ ॰ ॰)
भानुमती ने कुनबा जोड़ा
(हो॰ ॰ ॰ ओ॰ ॰ ॰)
ईंट यहाँ की वहाँ का रोड़ा
(हो॰ ॰ ॰ ओ॰ ॰ ॰)
अर्रर्र रमप्पा
अर्रर्र रमप्पा
अर्रर्र रमप्पा
अर्रर्र रमप्पा
हे हे हे हे
हे हे हेहे
ल ला ला ला ला
ला लल्ल ल ला
ल ला ला ला ला
ला लल्ल ल ला
ल ला ला ला ला
ला लल्ल ल ला
कल क्या होगा किसको पता
अभी ज़िंदगी का ले लो मज़ा
कल क्या होगा किसको पता
अभी ज़िंदगी का ले लो मज़ा
कल क्या होगा किसको पता
अभी ज़िंदगी का ले लो मज़ा
कल क्या होगा किसको पता
अभी ज़िंदगी का ले लो मज़ा
हे
दिल वालो
दुनिया की ऐसी तैसी॰ ॰ ॰
हर पल
अपना है
दिन कैसा रात कैसी
ओ होsss होssss
होsss होssss
होsss होssss
होsss होssss
हे
हे
ऐश करो
ऐश करो
नाचो गाओ खाओ पियो
नाचो गाओ खाओ पियो
हे
हे
अरे जीना है तो
जीना है तो
मस्ती में रह के जियो
मस्ती में रह के जियो
अर्रर्र रमप्पा
अर्रर्र रमप्पा
अर्रर्र रमप्पा
अर्रर्र रमप्पा
हे हे हे हे
हे हे हे हे
ल ला ला ला ला
ला लल्ल ल ला
कल क्या होगा किसको पता
अभी ज़िंदगी का ले लो मज़ा
कल क्या होगा किसको पता
अभी ज़िंदगी का ले लो मज़ा
कल क्या होगा किसको पता
अभी ज़िंदगी का ले लो मज़ा
हे हे हे
हम जहां
हल्ला गुल्ला होगा वहीं
हमसे ये
दुनिया है
दुनिया से हम नहीं
पक पकाऊ पकाऊ पकाऊ पकाऊ
पक पकाऊ पकाऊ पकाऊ पकाऊ
हे हे हू हा
हे हे हे हे
हे हे हू हा
हे ए ए ए
हे
हे
जब तक
तब तक
दम में है दम प्यारे
दम में है दम प्यारे
तब तक
तब तक
काहे का है ग़म प्यारे
काहे का है ग़म प्यारे
अर्रर्र रमप्पा
अर्रर्र रमप्पा
अर्रर्र रमप्पा
अर्रर्र रमप्पा
हे हे हे हे
हे हे हे हे
ल ला ला ला ला
ला लल्ल ल ला
कल क्या होगा किसको पता
अभी ज़िंदगी का ले लो मज़ा
कल क्या होगा किसको पता
अभी ज़िंदगी का ले लो मज़ा
कल क्या होगा किसको पता
अभी ज़िंदगी का ले लो मज़ा
कल क्या होगा
किसको पता
अभी ज़िंदगी का
ले लो मज़ा
Haan Gunaah Kiya Hai Huzoor Maine
Posted on: July 3, 2019
- In: Devnagri script lyrics by Sudhir | Drunkard song | Guest posts | Lyrics contributed by readers | Mukesh solo | Mukesh songs | Post by Sudhir | Song used in more than one film | Songs of 1970s (1971 to 1980) | Songs of 1973 | Songs reused again in subsequent movies | Street singing | Yearwise breakup of songs
- 2 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4002 | Post No. : | 15104 |
Songs Repeated in Hindi Films – 5
– – – – – – – – – – – – – – – – – –
Coming into the 5th episode of the repeat song series. Here is an example of a straight and simple reuse, as is. The film is ‘Raja Kaka’ from 1973. And the famous drunkard song by Mukesh – from the 1960 film ‘Dil Bhi Tera Hum Bhi Tere’, has been re-used in this film, without any changes or re-recording. As we listen to this picturization, it is clearly the original song that is simply being replayed in this film.
The song was performed by Balraj Sahni on screen in the earlier film. In this one, actor Roopesh Kumar takes on the role of a drunkard and attempts his own version of histrionics for the same verses. ‘Raja Kaka’ is a film about the relationship between rich industrialist and labour class. During the 1970s, the trade union movement was pretty strong in India, and we have many films in that era that have tackled this subject. In the film, Kiran Kumar and Roopesh Kumar are two very close friends. Both are street smart don type good samaritans, and they are trying to do good for the poor labour community in their area. Kiran Kumar is more suave and Roopesh Kumar is more rustic. As is evident from the video clip, Roopesh Kumar is of the type to get drunk, climb atop a stationary bus, and sing out this song.
Some interesting background into the reuse of this song. Firstly, the music director duo of the two films is the same – Kalyanji Anandji. And with some checking, I can say that possibly the producer of these two films is also the same. As per the Geet Kosh, the production banner for ‘Dil Bhi Tera Hum Bhi Tere’ from 1960 is Kanwar Kala Mandir and the name of the producer is listed as Bihari Masand. For the latter film from 13 years later, the production banner name is given as TM Bihari (Producers), and no specific name given in the producer column. The name of the producer of the former film and the name of the production banner of the latter film kind of map together, raising the possibility that the two films had the same producers. So having the same music director and the same producer – that is the easiest route to re-use of songs.
This video clip is incomplete. Only one stanza is covered. When viewing the complete film, it seems as if edit cuts or other splicing has reduced the length of the pircturised song, and the song seems to have an abrupt beginning and an abrupt end. I tried checking this in different versions available, but the situation seems to be the same. I have not been able to lay hands on a VHS tape of this film – checking that source may provide some definite information about the duration of the re-used song.
Mukesh’s voice – as always – is a pleasure to listen to. Check out the original song a here – “Haan Gunaah Kiya Hai Huzoor Maine”. When that one was posted, we had the discussion in comments about the correct words of the mukhda of this song. The manner in which it has been rendered, the first two words at times sound like “Haan Bura. . .”, and sometimes they sound like “Haan Gunaah. . .”. That little discussion on the rendition still persists. The readers may make up their minds as they listen to the song.
An iconic Mukesh song, reused in a later film. It sure does help to have the same music director and the same producer. 😉
Song – Haan Gunaah Kiya Hai Huzoor Maine (Raja Kaka) (1973) Singer – Mukesh, Lyrics – KL Pardesi, MD – Kalyanji Anandji
Lyrics
haan gunaah kiya hai huzoor maine
haan gunaah kiya hai huzoor maine
haan
thhodi si
pee hai
zuroor maine
haan gunaah kiya hai huzoor maine
haan
thhodi si
pee hai
zuroor maine
haan gunaah kiya hai huzoor maine
samajhti hai duniya sharaabi mujhe
samajhti hai duniya sharaabi mujhe
yeh kehti hai khaana kharaabi mujhe
yeh pehla kiya hai qusoor maine33
haan gunaah kiya hai huzoor maine
haan
thhodi si
pee hai
zuroor maine
haan gunaah kiya hai huzoor maine
———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
हाँ गुनाह किया है हुज़ूर मैंने
हाँ गुनाह किया है हुज़ूर मैंने
हाँ
थोड़ी सी
पी है
ज़ुरूर मैंने
हाँ गुनाह किया है हुज़ूर मैंने
हाँ
थोड़ी सी
पी है
ज़ुरूर मैंने
हाँ गुनाह किया है हुज़ूर मैंने
समझती है दुनिया शराबी मुझे
समझती है दुनिया शराबी मुझे
ये कहती है ख़ाना-खराबी मुझे
ये पहला किया है क़ुसूर मैंने
हाँ गुनाह किया है हुज़ूर मैंने
हाँ
थोड़ी सी
पी है
ज़ुरूर मैंने
हाँ गुनाह किया है हुज़ूर मैंने
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3854 | Post No. : | 14866 |
Three days ago (viz on 2 february 2019), I began the blog’s own “ten Year Challenge” where we began to post another song from a movie whose song (another one) was posted on the same day ten years ago. I began this seties with “Sharaabi”(1984), and on the next day (3 february 2019), it was the turn of “Do Dishaayen”(1982).
This “ten Year Challenge” was a non starrer of the next day viz 4 february 2019, because the movies whose songs were covered ten years ago on 4 february 2019 have already been YIPPEED in the blog. Smae is the case for today viz 5 february 2019. Tomorrow givven us some respite because one (just one) of the movies that were covered on 6 february 2009 is still un yippeed. So we can hope to resume this “ten Year Challenge” tomorrow.
In the process of this challenge, our YIPPEE project gets an inadvertent impetus as well. We not only feel glad to see that so many movies, that made their debuts in the blog ten years ago are already YIPPEED. Even the unYIPPEED movies get some renewed attention towards this project.
Take the case of “Sharaabi”(1984) for instance. When I covered the fourth song from this song as part of “ten Year Challenge”, I realised that two songs from the movie were yet to be covered. On futher checking, it turned out that the two songs were multiple version songs. In other words, they could be covered in one writeup.
Here are the details of the songs covered earlier:-
|
Song Title |
Post No. |
Post Date |
| Mujhe naulakha mangade re o sainya deewaane | 670 | 2-Feb-2009 |
| Manzilen apni jagah hain raaste apni jagah | 6840 | 11-Oct-2012 |
| Jahaan chaar yaar mil jaayen wahin raat ho gulzaar | 6881 | 22-Oct-2012 |
| Intaha ho gayi intzaar ki | 14863 | 2-Feb-2019 |
“Sharaabi”(1984) was produced by Satyendra Pal and directed by Prakash Mehra. The movie had Amitabh Bachchan, Jaya Prada, Om Prakash, Ranjeet, Pran, Satyen Kappu, Deepak Parashar, Smita Patil, Bharat Bhushan, C S Dube, A K Hangal, Dinesh Hingoo, Viju Khote, Mukri, Suresh Oberoi, Sudhir, Mayur, Gurbachan, Asha Lata, Chandrashekhar, Jankidas, Pinchoo Kapoor, Ram Sethi, Rajan Haksar, Sunder etc in it.
This remaining song has a male version sung by Kishore Kumar and a female version sung by Asha Bhonsle. The male version , which also has the voice of chorus is picturised as a street song where Amitabh Bachchan disturbs the sleep of people at night, just to search for Jaya Prada who, he is vaguely aware of being a resident of that locality.
The female version of the song is picturised as a radio/ recording song where Jaya Prada playing a successful singer sings this song whose lyrics and tune are clearly plagiarised from our hero. Our hero and his faithful sidekick Om Prakash watch/ listen while their intellectual property right is thus nonchalantly being violated by the lady.
With this song, all the songs of “Sharaabi”(1984) are now featured in the blog and the movie thus joins the list of movies that have all their songs covered in the blog.
Audio – Kishore Kumar version
Video – Kishore Kumar version
Audio – Asha Bhonsle version
Video – Asha Bhonsle version
Song-De de pyaar de pyaar de pyaar de re (Sharaabi)(1984) Singer-Kishore Kumar/ Asha Bhonsle, Lyrics-Anjaan, MD-Kalyanji Anandji
Amitabh Bachchan
Chorus
—————————–
Lyrics
—————————–
Kishore Kumar version
—————————–
meena
meena
meena
hum bande hain pyaar ke ae
maangen sab ki khair
haan aan
apni sab se dosti ee
nahin kisi se bair
o de de pyaar de
de de pyaar de pyaar de pyaar de re
hamen pyaar de
de de pyaar de pyaar de pyaar de re
hamen pyaar de
duniya waale kuchh bhi samjhen
ham hain prem deewaane
jahaan bhi jaayen tujhe pukaaren
gaa ke prem taraane
de-de pyaar de
pyaar de re hamen pyaar de
o de de pyaar pyaar pyaar pyaar pyaar de re
hamen pyaar de
hi ee
arre aane ko to roz hain aate
sooraj chaand sitaare
haan aan phir bhi andheri hai ye duniya
tu hi raah dikhaa re
prem pyaar sukh chain ki barkha teri nazar se barse
ye dukh-dard ki aag bujhe
koi dil naa pyaasa tarse
de de pyaar de
pyaar de re
hamen pyaar de
o de de pyaar pyaar pyaar pyaar pyaar de re
hamen pyaar de
yahaan dilon ke beech khadi jo
wo deewaar gira de
haan dil mein soyi soyi aisi ee
pyaar ki jyot jaga de
pyaar ho dil mein to lagti hai saari duniya pyaari
ham saari duniya ke hain
saari duniya hamaari
de de pyaar de
pyaar de-re
hamen pyaar de
o de-de pyaar de pyaar de pyaar de de
hamen pyar de
de-de pyaar de pyaar de pyaar de-de hame pyaar de
de-de pyaar de pyaar de pyaar de-de
hamen pyaar de
de-de pyaar de pyaar de pyaar de-de hamen pyaar de
de-de pyaar de pyaar de pyaar de-de hamen pyaar de
de-de pyaar de pyaar de pyaar de-de hamen pyaar de
de-de pyaar de pyaar de pyaar de-de hamen pyaar de
———————
Asha Bhonsle version
————————
ham bande hain pyaar ke ae
maangen sabki khair
o o
apni sabse dosti ee
nahin kisi se bair
de de pyaar de ae
de de pyaar de pyaar de pyaar de re
hamen pyaar de
de de pyaar de pyaar de pyaar de re
hamen pyaar de
duniya waale kuchh bhi samjhen
ham hain prem deewaane
jahaan bhi jaayen tujhe pukaaren gaa ke prem taraane
de de pyaar de
pyaar de re
hamen pyaar de
de de pyaar de pyaar de pyaar de re
hamen pyaar de
yahaan dilon ke beech khadi jo
wo deewaar gira de
haan aan
dil mein soyi soyi aisi ee
pyaar ki jyot jaga de ae
pyaar ho dil mein to lagte hain
saari duniya pyaari
ham saari duniya ke hain
saari duniya hamaari
de de pyaar de
pyaar de re hamen pyaar de
de de pyaar de pyaar de pyaar de re
hamen pyaar de
de de pyaar de pyaar de pyaar de re
hamen pyaar de
de de pyaar de pyaar de pyaar de re
hamen pyaar de
de de pyaar de pyaar de pyaar de re
hamen pyaar de
de de pyaar de pyaar de pyaar de re
hamen pyaar de
- In: Asha Bhonsle songs | Dance song | Devnagri script lyrics by Avinash Scrapwala | Duet | Feelings of heart | Group Dance | Guest posts | Kishore Kumar songs | Kishore Kumar-Asha Bhonsle duet | Lover's tête-à-tête | Lyrics by Avinash Scrapwala | Lyrics contributed by readers | Post by Raja | Rajesh Khanna songs | Rajesh Khanna songs by Kishore Kumar | Songs of 1970s (1971 to 1980) | Songs of 1980 | Street singing | Yearwise breakup of songs
- 6 Comments
This article is written by Raja, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3652 | Post No. : | 14505 |
Today is the death anniversary of one of India’s biggest superstars, Rajesh Khanna, affectionately referred to as Kaka. He passed away on the 18th of July 2012. I remember being shocked to hear of his death – and even wrote an emotional post on my blog on the occasion. Although I did know that he had been suffering from cancer, the news hit me hard. Today, it is already 6 years since his death. How time flies!
Maybe it’s a reflection of the person he was, but it seems to me that any conversation about Kaka invariably goes beyond his films, and delves into his personal life and relationships. His, admittedly none too positive, image seems to take over – at the cost of discussion about his films. This is unfortunate – but, to some extent, Kaka probably brought this on himself.
We all know he let success go to his head – and paid a heavy price for it. Like I’ve said before, maybe that was one of his roles here on this earth. To NOT be a role model, to be someone that can be held up as an example by parents to children of how NOT to let success get to your head. Anyway, later in life, Kaka did admit to the mistakes he’d made – and, on this Remembrance Day, I think I’d like to not talk about his mistakes. I’ve discussed them at length in previous posts – I don’t want to repeat myself.
Today, as I remember him, all I want to do is to thank him for the performances he gave me when I was just a young boy, growing up in the late 60s / early 70s. I’m going to pause just a bit here to remember those performances.
There were many – his filmography of that period and his success rate would put any other actor in the shade. Not even the big 3 (Dilip, Raj Kapoor and Dev Anand) who came before him could deliver that many hits in that short a time frame. Or the biggie who followed right after. But personally I couldn’t care less about the box-office success of those films. I was just a young boy – what did I know about the box-office? All I knew was, there was this “hero” on screen who, through his smile, or tilt of the head, or “guru” kurta, or dialogue delivery had me mesmerized in film after film, singing one blissful song after another (at that time I didn’t know about playback).
I didn’t always understand the storyline, or even all the dialogues, but everytime he would be romancing the heroine, whether it was Sharmila or Mumtaz or Tanuja or Hema or another, it felt like all was just perfect with the world. It wasn’t as if other heroes didn’t have romantic scenes with the heroines, but somehow it seemed different in Kaka films. Later, when I thought about this, I felt it was possibly because romance was usually intrinsic to Kaka films. It formed part of the main plot itself. Whereas for others, it was an important element no doubt, but the storyline often had a crime-related plot – like smuggling. Note that wherever romance IS the plot, the film seems very Kaka-like. For example, ‘Aa Gale Lag Ja’ (1973) could very well have been a Kaka film, though it had Shashi Kapoor in the main lead.
Of course, it was not always a happy ending. Kaka would often die in the film, breaking my heart. This only made the film a bigger hit, so storylines were devised accordingly.
I thoroughly enjoyed those films – have fond memories of ‘Aradhana’, ‘Aan Milo Sajna’, ‘Kati Patang’, ‘Dushman’, ‘Apna Desh’, ‘Haathi Mere Saathi’, ‘Mere Jeevan Saathi’, and so many others. Whether it was “Mere Sapnon Ki Rani”, “Yahaan Wahaan Saare”, “Ye Shaam Mastaani”, “Waada Tera Waada”, “Rona Kabhi Nahin Rona”, “Dilbar Jaani”, “O Mere Dil Ke Chain” or any of his numerous hits of the time, I knew them all by heart – all stanzas. We’d often sing these songs amongst friends.
At that time I had no idea about Kaka beyond his screen presence. Ignorance was truly bliss.
Then things began changing.
Suddenly he didn’t seem to have the same magic anymore. I tend to associate this with his “long hair” phase but, to be fair to him, that was just the fashion of the time. Hamming seemed to have set in – even the films seemed to lack that romantic feel about them. The last couple of movies I remember of that era that I saw, and could accept, were ‘Aap Ki Kasam’ (1974) and ‘Prem Kahaani’ (1975).
Mehbooba (1976) was probably the first big shock for me. It was highly hyped at the time – what with the two biggest names, Kaka and Hema, as the lead actors. Not to mention RD Burman’s music. I remember the film being a big flop. Later I read that the decline started even earlier but for me, at that age, Mehbooba was the marker.
That was a terrible period for him. Flop after flop. I clearly remember ‘Bundalbaaz’, ‘Chalta Purza’, ‘Aashiq Hoon Baharon Ka’, even BR Chopra’s ‘Karm’ (another much-awaited film) – all failed. But there were more.
Oh, one thing. I said I didn’t know about box-office but there was one indicator for me. I used to travel by school bus to school, 30 km away. En-route there was a film theatre. From the bus, we could see which film was running. That gave us a pretty good idea of hit or flop. I remember ‘Yaadon Ki Baaraat’ running for many weeks, whereas ‘Bundalbaaz’ and ‘Chalta Purza’ just came and went.
After watching ‘Aashiq Hoon Baharon Ka’, I really couldn’t take it anymore. What had happened to my “Ye Shaam Mastaani” Rajesh Khanna? How had he morphed into this “I am in love, you are in love, he is in love, she is in love” Rajesh Khanna? I stopped seeing his movies. I couldn’t bear to.
Later, in the mid-80s, I did watch a few – but only because they were on Doordarshan. ‘Thodisi Bewafai’ (1980), ‘Avtaar’ (1983) and ‘Aakhir Kyon’ (1985). I quite liked them. But only these.
For the next 25 years, I stayed away from Kaka films that I had not watched. Sure, I watched the old ones to relive their magic. But none of his post-1977 films. Only a few years ago, I mustered the courage to watch this category. I think it had to do with his death. Maybe I felt I was doing him grave injustice by avoiding these films. After all, he must have worked just as hard in them, as in his early films. So why not at least give them a shot? For Kaka’s sake.
I started with the more successful ones – at least those with popular songs. Like ‘Agar Tum Na Hote’ (1983), ‘Kudrat’ (1981), ‘Rajput’ (1982). I kept my expectations very low. I quite liked all these films. And I was quite impressed by Kaka too. I don’t recall seeing much of the hamming that I had dreaded. Sure they were very different from his early 1970s films – but that’s to be expected.
Recently I got into the mood again – and did a Kaka binge. I watched ‘Amrit’ (1986), ‘Dhanwaan’ (1981), ‘Dard’ (1981), ‘Aanchal’ (1980), ‘Janta Hawaldar’ (1979) and ‘Amar Deep’ (1979), all within the last month. As usual, keeping expectations low. I liked some more than the others, of course. But what I realized is each of their story lines is very different from the rest. That also made me realize that Kaka’s movies often had that – different story lines. This, at a time in the late 70s or in the 80s, when usually you had formulaic dhishum-dhishum films, either as multi-starrers, or hero taking revenge on the villain.
I now plan to watch more Kaka films of the period. Even if they’re not good, that’s ok. I keep my expectations low – and I’m watching them for Kaka. His looks aren’t what they were in the early 1970s – but that only seems to make him all the more real for me. And, worst case, the film will probably have a reasonable story line.
Moving on to today’s song.
Now having watched all these Kaka films recently, and most of them not being much represented on the blog, I was somewhat spoilt for choice today. I could have picked at least half a dozen Kaka songs from these films alone – and I do plan to write up more from these films. But for today, I’ve chosen “Paise Ka Kaajal” from ‘Aanchal’ (1980).
Firstly, this song comes in the category of “ye gaana IS film mein hai?” for me. I’d heard it all those years ago but didn’t know which film it was from. Secondly, ‘Aanchal’ is not represented yet on the blog, so it makes its debut today. Thirdly, it is a song & dance – and I quite like song & dance. 🙂 What I particularly liked about this one, apart from the song itself, is Kaka’s style. Not that he was a great dancer, but his style here reminded me of the Kaka of the early 1970s, when he’d dance similarly opposite heroines of the time. 🙂
The film stars Kaka, Rekha, Raakhee, Amol Palekar and Prem Chopra. It’s a village-based story, where Kaka and Amol Palekar are brothers, with Raakhee married to Amol Palekar. Since Kaka is her husband’s younger brother, Raakhee treats him with great affection. Kaka too has highest regard for his bhabhi. Prem Chopra, who has a score to settle with Amol Palekar, plays mischief, creating misunderstanding in his mind about the relationship between Raakhee and Kaka. Also, doing the same to Rekha, who is in love with Kaka.
To be honest, the film picks up only in the second half – the first half is rather slow. But maybe it is a build-up to show the relationships between the characters. I was rather keen for the film to get on with the plot. 🙂
In any case, do listen to this fairly catchy tune composed by RD Burman. Lyrics are by Majrooh Sultanpuri. The song is sung by Kishore Kumar and Asha Bhosle. As usual, the lyrics have been provided to me by Avinash ji. He is always very helpful in this respect, sending me lyrics for any post I plan to write.
Not only this, he is a huge Kaka fan – a much bigger fan than I am. Avinash ji did tell me that he might not be able to write a post for Kaka on this occasion. So this is our joint tribute to Kaka, as we remember him fondly today.
Kaka, hope you are at peace, wherever you are. And thanks for all the memories.
Video
Audio
Song – Paise Ka Kaajal Daike Na Lo Hamri Jaan (Aanchal) (1980) Singer – Kishore Kumar, Asha Bhosle, Lyrics – Majrooh Sultanpuri, MD – RD Burman
Chorus
Lyrics (Provided by Avinash Scrapwala)
paise ka kaajal
daike na lo hamri jaan
paise ka kaajal
daike na lo hamri jaan
laakhon ki hai hamri jaan babuaa
dhhikki naaki dhhikki naaki
dhhikki naaki dhhikki naaki
dhhikki naaki naa aa aa aa aa
o o o o
nainaa hai chanchal
kaise na maarenge baan
nainaa hai chanchal
kaise na maarenge baan
ho
ham ho gaye hain jawaan babuaa
dhhikki naaki dhhikki naaki
dhhikki naaki dhhikki naaki
dhhikki naaki naa aa aa aa aa
mele mein bhi ham akele hain
tum hamre sang aao naa
sang aao naa
are phir jaate jaate ye chhalla
nishaani mein de jaao naa
are de jaao naa
aa ha
chhalla mera naa mehanga pade
loot jaaoge khade hi khade
ho
bachaaye tumhe raam
dhhikki naaki dhhikki naaki
dhhikki naaki dhhikki naaki
dhhikki naaki naa
o o o o o o o o o o o
nainaa hai chanchal
kaise na maarenge baan
ho
ham ho gaye hai jawaan babuaa
dhhikki naaki dhhikki naaki
dhhikki naaki dhhikki naaki
dhhikki naaki naa aa aa aa aa aa aa
jeewan se jaaoge sainyyaan
jo hamse nazar mil gayee
nazar mil gayee
ho kitni dafaa hamre kaaran
yahin pe chhuri chal gayee
chhuri chal gayee
are hum dilwaale bhi dikhlayenge
dekh lena tumko le jaayenge
bachaaye tumhe raam
dhhikki naaki dhhikki naaki
dhhikki naaki dhhikki naaki
dhhikki naaki naa aa
o o o o
paise ka kaajal
daike naa lo hamri jaan
laakhon ki hai hamri jaan babuaa
dhhikki naaki dhhikki naaki
dhhikki naaki dhhikki naaki
dhhikki naaki naa aa aa aa aa
main jo is aanchal ko chhodun to
jag me rahaa kya mera
rahaa kya mera
are duniya ko maalum kya hai
jo tumse hai naata mera
hai naata mera
sab hai jhootha taraana tera
harjaaee kya hai thikaana tera
sikhaaye tumhe raam
dhhikki naaki dhhikki naaki
dhhikki naaki dhhikki naaki
dhhikki naaki naa
o o o o o o o o o o o
nainaa hai chanchal
kaise na maarenge baan
ho
ham ho gaye hai jawaan babuaa
dhhikki naaki dhhikki naaki
dhhikki naaki dhhikki naaki
dhhikki naaki naa aa aa aa aa aa
paise ka kaajal
daike na lo hamri jaan
laakhon ki hai hamri jaan babuaa
dhhikki naaki dhhikki naaki
dhhikki naaki dhhikki naaki
dhhikki naaki naa aa aa aa aa aa
dhhikki naaki dhhikki naaki
dhhikki naaki dhhikki naaki
dhhikki naaki naa
dhhikki naaki dhhikki naaki
dhhikki naaki dhhikki naaki
dhhikki naaki naa
dhhikki naaki dhhikki naaki
dhhikki naaki dhhikki naaki
dhhikki naaki naa
dhhikki naaki dhhikki naaki
dhhikki naaki dhhikki naaki
dhhikki naaki naa
———————————————————————————
Hindi script lyrics (Provided by Avinash Scrapwala)
———————————————————————————
पैसे का काजल
दैके ना लो हमरी जान
पैसे का काजल
दैके ना लो हमरी जान
लाखों कि है हमरी जान बबुआ
धिक्की नाकी धिक्की नाकी
धिक्की नाकी धिक्की नाकी
धिक्की नाकी ना आ आ आ आ
ओ ओ ओ ओ
नैना है चंचल
कैसे ना मारेंगे बाण
नैना है चंचल
कैसे ना मारेंगे बाण
हो
हम हो गए है जवान बबुआ
धिक्की नाकी धिक्की नाकी
धिक्की नाकी धिक्की नाकी
धिक्की नाकी ना आ आ आ आ
मेले में भी हम अकेले है
तुम हमरे संग आओ ना
संग आओ ना
अरे फिर जाते जाते ये छल्ला
निशानी में दे जाओ ना
अरे दे जाओ ना
आ हा
छल्ला मेरा ना महंगा पड़े
लूट जाओगे खड़े ही खड़े
हो
बचाए तुम्हे राम
धिक्की नाकी धिक्की नाकी
धिक्की नाकी धिक्की नाकी
धिक्की नाकी ना
ओ ओ ओ ओ ओ ओ ओ ओ ओ ओ
नैना है चंचल
कैसे ना मारेंगे बाण
हो
हम हो गए है जवान बबुआ
धिक्की नाकी धिक्की नाकी
धिक्की नाकी धिक्की नाकी
धिक्की नाकी ना आ आ आ आ आ आ
जीवन से जाओगे सैंय्या
जो हमसे नज़र मिल गयी
नज़र मिल गयी
हो कितनी दफा हमरे कारण
यही पे छुरी चल गयी
छुरी चल गयी
अरे हम दिलवाले भी दिखलायेंगे
देख लेना तुम्हे जायेंगे
बचाए तुम्हरे राम
धिक्की नाकी धिक्की नाकी
धिक्की नाकी धिक्की नाकी
धिक्की नाकी
ओ ओ ओ
पैसे का काजल
दैके ना लो हमरी जान
लाखों कि है हमरी जान बबुआ
धिक्की नाकी धिक्की नाकी
धिक्की नाकी धिक्की नाकी
धिक्की नाकी ना आ आ आ आ
मैं जो इस आँचल को छोडूं तो
जग में रहा क्या मेरा
रहा क्या मेरा
अरे दुनिया को मालुम क्या है
जो तुमसे है नाता मेरा
है नाता मेरा
सब है झूठा तराना तेरा
हरजाई क्या है ठिकाना तेरा
सिखाये तुम्हे राम
धिक्की नाकी धिक्की नाकी
धिक्की नाकी धिक्की नाकी
धिक्की नाकी ना
ओ ओ ओ ओ ओ ओ ओ ओ ओ ओ
नैना है चंचल
कैसे ना मारेंगे बाण
हो
हम हो गए है जवान बबुआ
धिक्की नाकी धिक्की नाकी
धिक्की नाकी धिक्की नाकी
धिक्की नाकी ना आ आ आ आ आ
पैसे का काजल
दैके ना लो हमरी जान
लाखों कि है हमरी जान बबुआ
धिक्की नाकी धिक्की नाकी
धिक्की नाकी धिक्की नाकी
धिक्की नाकी ना आ आ आ आ आ
धिक्की नाकी धिक्की नाकी
धिक्की नाकी धिक्की नाकी
धिक्की नाकी ना
धिक्की नाकी धिक्की नाकी
धिक्की नाकी धिक्की नाकी
धिक्की नाकी ना
- In: "Street Singing" song | Dance song | Devnagri script lyrics by Sudhir | Duet | expression of love | Feelings of heart | Guest posts | Lyrics contributed by readers | Post by Sudhir | Rafi songs | Rafi-Asha Bhonsle duet | Songs of 1960s (1961 to 1970) | Songs of 1964 | Street singing | Yearwise breakup of songs
- 9 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3496 | Post No. : | 14053 |
It would be late 1960s, early 1970s – फिल्में देखने का चस्का चढ़ा था। Did not have much more than some fanciful fancies at that time, and very little understanding. I would fancy the heroes, especially Dev Anand, Rajendra Kumar etc. And I would have lasting crush on the leading ladies; generally lasting for a few weeks. I would fancy them to be my leading ladies 😉 – Sadhna, Asha Parekh, Mumtaz, Saira Banu etc.
Besides these two types of fancies, there was, yes one more. This was not so much of a fancy, rather it was more of an abhorrent fright. Of a special person when he appeared on the screen. And a panic would run through the mind and I would clutch a parent’s hand and whisper “oye, Pran aa gaya”.
Such was the dread in the minds of us pre teen kids. Whenever we saw him enter the frame, our hearts were like – now something bad is going to happen. He is going to bully someone, he is going to beat up someone, he is going to insult someone, he is going to cheat someone, he is going to put his weight on a lady and make her scream. . . Ah yes, these were the type of stereotype images that were associated with Pran, and we despised him for all our childhood.
Fast forward now to mid 1990s. I was in the US, and had a long stint in the city of Lansing in Michigan, working on a state govt. project. Lansing is comparatively a small town, despite the fact that it is the capital of Michigan state. There were only two other things besides the state government – the state university and a cornflakes factory owned by Kellogs. And being in Michigan, we were snowed in for six months, and chilled out for another four. We just got a warm season for two months – July and August.
So there was not much to do in that town, other than concentrate on your work. For me, there was a grand saving grace. The small town had a big video library of Hindi films, run by a Pakistani national and a very dear friend, to date – Akbar Bhai. It was not long before I became his best customer, and just for my sake, he would communicate with other dealers in the country and sometimes even travel out, to get the films that I would be requesting of him. I purchased two Toshiba VCRs, bought many packs of VHS tapes, and spent a lot of time copying videos of songs from the VHS tapes that I rented from him.
Sorry for this longish digression, I am coming to the point. The net is that for the few years that I spent in Lansing, I watched and replayed a ton of Hindi films that were available on VHS – of course my choice would taper off after 1970s. In one set of many weeks together, the movies that I rented from him, were a combination of many leading heros, and many genres. But all of them had one thing in common. The villain was Pran. In each and every one of these films, Pran would be getting a hiding of his life in the last 10 to 15 minutes of every film. After having sat through probably a score of films over a period of 4 to 5 weeks, my mind changed and started sympathizing with him. No matter what the film was, he would get beaten up black and blue at the end. And to add insult to injury, he was forced to apologize and plead for forgiveness, or summarily be taken away by the police.
Really telling you, I started to feel sorry for him. And I started to wonder. Day in and day out, he would be shooting films with his co stars, and on every set and every studio floor, he would be taking a beating in front of hundreds of onlookers, every single time. And my mind started to build upon a psychology of such an individual. Of course it did strike me somewhere within this analysis, that yes, money is also involved. But then I rationalized – if I were given money, just for getting beat up every week and in every film I worked in, I would throw away the money, and walk away. But the money angle aside, I used to wonder at this gluttony for punishment. In every film, he misbehaves with ladies, he cons his own family members, he bullies and beats up people. And then, he gets beat up real good for the happy ending of a film. And my mind was like – does this guy never learn? Does he never give up?
I never did see the film ‘Guddi’ (1971) in its first runs. I would get to see it many years later, maybe on Doordarshan or maybe on a VHS play. An inkling of the true nature of this gentleman – I encountered for the first time in this film. Kusum (a teenager, role played by Jaya), who is smitten with a crush for actor Dharmendra, is taken to Bombay by her uncle, Utpal Dutt, and is given a tour of the film studios – a view of how the films are actually made, and what these stars are in real life behind the scenes. So there is a scene, in which Jaya is with Dharmendra, and Pran walks by. They greet each other; and Kusum is hiding behind Dharmendra in fear. Dharmendra admires Pran’s wrist watch, and Pran immediately takes it off and presents it to Dharmendra. After Pran leaves, Jaya reacts strongly, insisting to Dharmendra to return the watch – “इस में कोई चाल है” is what she says. Dharmendra starts to laugh, and then explains. That Pran Saab in real life is an impeccable gentleman, a complete reverse of what his screen image is. He is an amiable, a very friendly, a very kind and a very helpful person.
Along with Guddi (Kusum), it was also a wiping away of a fanciful sheen in my mind, associated with the person called Pran. Then of course, from 1967 onwards, he had started appearing in character roles other than as a villain, and had a complete makeover of his outward personality over the next few years.
But that image has sustained, because the films exist. That is what typecasting does to you. In reality, Pran is somewhat of a popular name in north India, amongst Punjabi and Hindi speaking families. In the 1950s and 60s, the dread of his roles was so great that actually, families stopped naming their children with the word Pran, and its variations. The Gabbar Singh gloat about “बीस बीस कोस तक॰ ॰ ॰” was still to come many years later. 😀 😀
Today (12th Feb) is the birth anniversary of Pran Saab. I have picked this song from the 1964 film ‘Pooja Ke Phool’ for the anniversary remembrance today. Yes, there is a particular reason. It is one of the rare occasions, when Pran Saab has lip sync-ed a song, and danced on screen, from the era of his continued reign as the arch villain of Hindi films. Of course, after 1967 and ‘Upkar’, when he transitioned into character roles, and that too in a big and significant way, he got to perform many a song on screen. In fact, there was a period of time in 1970s and 80s that specific and meaty roles were written for him, and the screen performance almost always included a song lip synced by him. But in the era till the 1960s, he just has an occasional song assigned to him.
Although I have not made a definitive search for them, I recall the following; the duet “Jise Dhoondhti Phirti Hai Meri Nazar” from the film ‘Sheesh Mahal’ (1950); then the fun song from ‘Munim ji’ (1955) – “Dil Ki Umangen Hain Jawaan”. This latter song is also a unique piece of music – Pran Saab has sung for himself in this song. Yes, of course, the iconic “Hai Aag Hamaare Seene Mein. . . Hum Bhi Hain, Tum Bhi Ho” from the musical bonanza ‘Jis Desh Ganga Behti Hai’ (1960). Sterling performance, as Pran Saab rides two horses simultaneously, standing on the back of the horses, one foot on each horse.
And then we come to today’s song. The song is a dance sequence being performed by Gopikrishan Maharaj and Madhumati. In the three antaraa song, the middle antaraa turns out to be a fantasy play, as Pran, who is actually an audience on the side, daydreams himself to be performing the song, along with Sandhya Roy. the lady companion that I am not able to name. So the middle antaraa is performed on screen by Pran Saab and Sandhya Roy his lady companion. Now this performance, a folk dance type steps, trying to emulate someone none other than the great Gopikrishan Maharaj himself, is a type of performance that one does not associate with him (at least in this phase of his career), and none other that I have seen in any other film. I request our knowledgeable friends and readers on the blog to please add more such instances, if they are aware. And yes, the request also includes help to identify the actress who is his lady companion in this clip.[Ed Note: The lady companion in this clip is identified as Bengali actress Sandhya Roy, as per the inputs provided by Shri Partha Chanda.]
‘Pooja Ke Phool’ is the typical south Indian family drama that is produced by the prestigious banner of AVM and directed by Bheem Singh. The extreme emotionalism of such family dramas, plus the complexity (zaniness??) of the plots and sub plots, sometimes makes this category of films insufferable. So in this film, Pran is the husband of the niece of Dharmendra. Forget the age factor, even the appearances of the characters do not do justice to them. To top it, he (Pran) is also having an amorous fling on the side. In this song, we see him come to see this street performance along with his lady love from the extra-marital affair. Dharmendra too, chances to be on the spot. He sees the two together, and walks away in anger. A little later in the film, the lady starts to demand rights and shares as a wife. She threatens to kill him. The two meet, and in the melee that ensues, the lady gets killed. Mohan Choti is an eyewitness. However, Dharmendra takes on the blame, just so that his niece’s life and home is not jeopardized. Case comes to the court. Ashok Kumar is the public prosecutor, and he has this personal thing against Dharmendra – he has ditched Ashok Kumar’s daughter, and married someone else. Now enter the daughter, Mala Sinha, who is also a lawyer. She comes to the court as the defense lawyer for Dharmendra. Despite his repeated confessions in the court, the case is made to continue. Dharmendra and Mala Sinha were an amorous pair once, but circumstances led Dharmendra to marry a blind girl (Nimmi). If all this does not sound too complicated yet, maybe it is time to watch the film itself. 😀 😀
Not saying too many things about the film, I must confess that I am quite bowled over by the music and the songs. The list if songs is quite impressive, as given below.
| Meri Aankhon Se Koi Neend Liye Jaataa Hai | 2861 | 28-Aug-10 |
| Dil Todna Kisi Ka Ye Zindagi Nahin Hai | 2886 | 1-Sep-10 |
| Ab Do Dilon Ki Mushqil | 2892 | 2-Sep-10 |
| Meow Meow Meri Sakhi Achchi Achchi Meri Sakhi | 3345 | 14-Dec-10 |
| Sanam Apni Palkon Pe Tujh Ko | 6824 | 9-Oct-12 |
| Pehle Meri Aankhon Ke Chiraagon Ko Bujhaaya | 12598 | 21-Nov-16 |
| Banda Parwar. . . Raat Ke Andhere Mein Yun Chori Chori Chale Kidhar | 14034 | 8-Feb-18 |
The songs of this film have been penned by Rajendra Krishan and the music is composed by Madan Mohan.
I would like to write about one more thing, related to this song. The choreography of this dance is done by Gopikrishan Maharaj himself. And that simply is excellent. The dance movements are very imaginatively sequenced, and very excellently executed, including the facial expressions and the twitching of eyebrows. The pace of the song and the pace of the singing is – fast. And the dance steps themselves are so energetic and so beautifully arranged. Pran Saab surely has his work cut out as he takes on the 2nd antaraa on screen.
So now let us enjoy this wonderful peppy dance number. And remember this very lovable villain of the Hindi cinema.
Audio
Video
Song – Hey Jamaalo. . . O Mera Pyaar Meri Jaan Kabhi Aazma Lo (Pooja Ke Phool) (1964) Singer – Mohammed Rafi, Asha Bhosle, Lyrics – Rajendra Krishan, MD – Madan Mohan
Mohammed Rafi + Asha Bhosle
Male Chorus
Female Chorus
All Chorus
Lyrics
aaaa aaa aaa aaaa
aaaaaa aaa aaaaaaa
hey jamaalo
o wah wah hey jamaalo
haan hey jamaalo
o wah wah hey jamaalo
o mera pyar meri jaan
kabhi aazma lo
o mera pyar meri jaan
kabhi aazma lo
hey jamaalo
hey wah wah hey jamaalo
hey jamaalo
hey wah wah hey jamaalo
ho ye hai teer ye kamaan
zara dil nikaalo
ho ye hai teer ye kamaan
zara dil nikaalo
ho ho ho
ho ho
ho ho ho
ho ho
o ho ho
o ho
ho ho ho
hoye hoye hoye
tere haathon mar jaayenge
naam jahaan mein kar jaayenge
marte marte dil ki jholi
pyaar se tere bhar jaayenge
o ho tere haathon mar jaayenge
bade dekhe marne waale
pyaar ka dum bharne waale
hey jamaalo
hey jamaalo
hey jama..aa..aalo
o mera pyar meri jaan
kabhi aazma lo
hey jamaalo
wah wah hey jamaalo
ho ye hai teer ye kamaan
zara dil nikaalo
ho ho
hummm hummm
ho ho
hummm hummm
o ho
hummm
hummm
o ho
hummm
hummm
hey..ey..ey
dekho kaise deewaane hain
pankh nahin aur parwaane hain
hum se ye kya chaal chalenge
apne jaane pehchaane hain
o ho dekho kaise deewaane hain
jaan le lo gham na hoga
ishq mera kam na hoga
hey jamaalo
hey jamaalo
hey jama..aa..aalo
o ye hai teer ye kamaan
zara dil nikaalo
hey jamaalo
wah wah hey jamaalo
o mera pyar meri jaan
kabhi aazma lo
jeete ji tum kyon maanoge
mar jaayenge pehchaanoge
jaan liya hai pyaar tumhaara
aao pakdo haath hamaara
o ho aao pakdo haath hamaara
muskura ke do sahaare
hum tumhaare tum hamaare
hey jamaalo
hey jamaalo
hey jama..aa..aalo
ho mera pyar meri jaan
kabhi aazma lo
hey jamaalo
hey wah wah hey jamaalo
hey jamaalo
hey wah wah hey jamaalo
ho ye hai teer ye kamaan
zara dil nikaalo
ho ye hai teer ye kamaan
zara dil nikaalo
hey jamaalo
hey jamaalo
hey jamaalo
hey jamaalo
———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
आsss आss आss आsss
आssss आss आssssss
हे जमालो
ओ वा वा हे जमालों
हाँ हे जमालो
ओ वा वा हे जमालों
मेरा प्यार मेरी जान
कभी आज़मा लो
ओ मेरा प्यार मेरी जान
कभी आज़मा लो
हे जमालो
हे वा वा हे जमालों
हाँ हे जमालो
हे वा वा हे जमालों
हो ये है तीर ये कमान
ज़रा दिल निकालो
हो ये है तीर ये कमान
ज़रा दिल निकालो
हो हो हो
हो हो
हो हो हो
हो हो
ओ हो हो
ओ हो
हो हो हो
होए होए होए
तेरे हाथों मर जाएँगे
नाम जहान् में कर जाएँगे
मरते मरते दिल की झोली
प्यार से तेरे भर जाएँगे
ओ हो तेरे हाथों मर जाएँगे
बड़े देखे मरने वाले
प्यार का दम भरने वाले
हे जमालो
हे जमालो
हे जमा॰॰आ॰॰आलो
ओ मेरा प्यार मेरी जान
कभी आज़मा लो
हे जमालो
वा वा हे जमालों
हो ये है तीर ये कमान
ज़रा दिल निकालो
हो हो
हुम्ममम हुम्ममम
हो हो
हुम्ममम हुम्ममम
ओ हो
हुम्ममम
हुम्ममम
ओ हो
हुम्ममम
हुम्ममम
हे॰॰ए॰॰ए
देखो कैसे दीवाने हैं
पंख नहीं और परवाने हैं
हम से ये क्या चाल चलेंगे
अपने जाने पहचाने हैं
ओ हो देखो कैसे दीवाने हैं
जान ले लो ग़म ना होगा
इश्क़ मेरा कम ना होगा
हे जमालो
हे जमालो
हे जमा॰॰आ॰॰आलो
ओ ये है तीर ये कमान
ज़रा दिल निकालो
हे जमालो
वा वा हे जमालों
ओ मेरा प्यार मेरी जान
कभी आज़मा लो
जीते जी तुम क्या मानोगे
मर जाएँगे पहचानोगे
जान लिया है प्यार तुम्हारा
आओ पकड़ो हाथ हमारा
ओ हो आओ पकड़ो हाथ हमारा
मुस्कुरा के दो सहारे
हम तुम्हारे तुम हमारे
हे जमालो
हे जमालो
हे जमा॰॰आ॰॰आलो
हो मेरा प्यार मेरी जान
कभी आज़मा लो
हे जमालो
वा वा हे जमालों
हे जमालो
वा वा हे जमालों
ओ ये है तीर ये कमान
ज़रा दिल निकालो
ओ ये है तीर ये कमान
ज़रा दिल निकालो
हे जमालो
हे जमालो
हे जमालो
हे जमालो
Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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